Colorado College Logo

  DigitalCC

Use AND (in capitals) to search multiple keywords.
Example: harmonica AND cobos

331 hits

  • Thumbnail for Korean ceramics: Bottle, Buncheong ware.
    Korean ceramics: Bottle, Buncheong ware. by unknown

    Bottle, stoneware. The form was covered with a white slip applied with a brush. The design on the piece was created by using a sharp tool to cut through the white slip coating, revealing the darker clay underneath, in the manner used in Buncheong ware. The Avery Brundage Collection, B67P41

  • Thumbnail for Japanese Ceramics: Dish with handle, Ao-oribe ware, view 02.
    Japanese Ceramics: Dish with handle, Ao-oribe ware, view 02. by unknown

    Another view of the Oribe dish shown in image ecasia000370, showing more clearly the interior of the piece.

  • Thumbnail for Korean Ceramics:  Porcelain Jar.
    Korean Ceramics: Porcelain Jar. by unknown

    Large spherical jar of the sort known as a "Moon" jar. The museum label comments, these jars "...were loved by Korean people not only because of their white color, which was suggestive of Confucian virtues, but also because the form was thought to represent the fertility and gentle, embracing qualities associated with women during the Joseon dynasty." This example presents an interesting comparison with the jar presented in file ecasia000358, another "Moon" jar from the collection of the Art Institute of Chicago. The one in Chicago has a more matte glaze surface, while this one has a transparent glaze. The difference in the glaze may be the result of placement in different locations in a kiln, with the matte surface possibly resulting from a slightly cooler temperature and the transparent glaze from a slightly higher temperature, as might result at the different ends of a tube kiln. (The Avery Brundage collection, B60P110+ )

  • Thumbnail for Immortal of Longevity and Deer
    Immortal of Longevity and Deer by Unknown

    Chinese painting using ink and colors on silk; image area 18 cm x 21.2 cm; subject from Daoist or folk belief;. Condition: good; upper end of mounting torn.

  • Thumbnail for After Hiroshige, front view stage 2
    After Hiroshige, front view stage 2 by unknown

    One of nineteen prints which illustrate the process of making a multi-block multicolor woodblock print.The print reproduced is the view of Asakusa Kinryuzan (Asakusa Kannon Temple) from Ando Hiroshige’s Toto yukimi hakkei (Eight Views of Snow in the Eastern Capital).

  • Thumbnail for Portrait, full view
    Portrait, full view by Unknown

    19th century portrait depicting a subject seated in a garden by a stream, chrysanthemum in a vase and a pine tree. The chrysanthemum in the vase symbolizes autumn while the pine tree represents longevity. The image area is 67cm x 130.5 cm and was made using Chinese ink and colors on paper in a silk mounting. The subject and artiistic style are reminiscent of the famous artist, Ren Xiong (1820-1864). Ren Xiong and his family members were successful commercial painters in Shanghai and nearby regions and skilled in many subjects, including portraiture.

  • Thumbnail for After Hiroshige, front view stage 9
    After Hiroshige, front view stage 9 by unknown

    One of nineteen prints which illustrate the process of making a multi-block multicolor woodblock print.The print reproduced is the view of Asakusa Kinryuzan (Asakusa Kannon Temple) from Ando Hiroshige’s Toto yukimi hakkei (Eight Views of Snow in the Eastern Capital).

  • Thumbnail for Samsara (Wheel of rebirth) (Thangka)
    Samsara (Wheel of rebirth) (Thangka) by Unknown

    Ground mineral pigment on cotton, silk, 64 (L) x 39 (W) inches. This is a common Tibetan theme that represents a dynamic vision of karma and the cycles of rebirth in various forms, both coarse and subtle, earthly, heavenly and hellish. All are driven by the beastly desires symbolized by the snake, bird and pig located at the center of the wheel. The twelve causes of rebirth are shown on the rim while the six conditions of birth are shown inside the wheel. The wheel is held in the grasp of Yama, the lord of death. The message here is that the teachings of the Buddha offer a path to escape from this world of endless change and suffering.

  • Thumbnail for Amitabha (Thangka)
    Amitabha (Thangka) by Unknown

    Ground mineral pigment on cotton, silk, 64 (L) x 34-1/2 (W) inches. Amitabha is depicted here at the center of his paradise flanked by Avalokiteshwara and Padmasambhava. Below are eight bodhisattavas, musicians, a devotee and two monks on lotuses. Painted in the Central Tibetan style.

  • Thumbnail for Keris from Java
    Keris from Java by Unknown

    Wood, carved ivory and metal, 18-1/2 (L) x 1-1/2 (W) x 2-1/8 (Depth) inches; blade and handle. A pair of symmetrical horses flank the lower back of the handle and above them are a pair of winged apsarases. Lotus and vegetative/floral garlands, along with parallel incisions, cover the rest of the surface.

  • Thumbnail for Fruit, Large, and Juicy
    Fruit, Large, and Juicy by Unknown

    Woodblock print, 19.5 x 26 inches. It shows Chinese workers harvesting fruit that fill the trees in an orchard. A red flag, signifying the Cultural Revolution, 1966-1976, waves over heavily laden carts. This is an example of peasant art used as state propaganda. This and images like this originated as gouache paintings done by Chinese peasants. The exhibition of the paintings in France was so successful that the government directed woodblock artists to make exact copies for sale.

  • Thumbnail for Padmarupa (Thangka) - detail
    Padmarupa (Thangka) - detail by Unknown

    Ground mineral pigment on cotton, silk, 50-1/2 (L) x 30-1/2 (W). Padmarupa wears a five -skull crown and holds a conch in his left hand and a drum in his right. Above him are Paden chogyo, Chok Lang, Marme Dzay, Chokyi Drakpa and Yonten O. In front are Yawa Huti, and ascetic and the scholar Gaya Bhara. In the lower foreground are Mahakala, a monk and Lhamo. Painted in Central Tibetan style.

  • Thumbnail for Chenrezig - reverse side
    Chenrezig - reverse side by Unknown

    Ground pigment on cloth, mounted on brocade.

  • Thumbnail for Wheel of Life
    Wheel of Life by Unknown

    Ground pigment on cloth, mounted on brocade.

  • Thumbnail for Horn and Silver Snuff Bottle
    Horn and Silver Snuff Bottle by Unknown

    1-7/8 inches (W) x 2-3/4 (H). Snuff bottle, horn with silver mounts set with various,gemstones.

  • Thumbnail for Shakyamuni Stong Sku (or 1000 Bodies) Thangka
    Shakyamuni Stong Sku (or 1000 Bodies) Thangka by Unknown

    54 (L) x 29 (W) inches. Painting on cloth in U-Tri, central Tibetan style. Shakyamuni, the Historical Buddha, sits cross legged in the middle in the teaching pose with 49 other representations of Buddha I the background. The central figure is line drawn in orange in on a blue and orange lotus throne with a blue and gold rayed halo. On the reverse is a poem compose by Phurchok Champa, tutor of the 13th Dalai Lama in gold ink and a mantra in black ink. this thangka is a reproduction of one of a series of 21 thangkas commissioned by Champa Tsultrim and Changchub Gelek. This type of repetitive multi-image thangka was done in order to gain merit. Mounted as a scroll with red and gold silk brocade frames on polychrome floral silk brocade with yellow and red silk dust covers and plain silver scroll ends.

  • Thumbnail for Hexagonal Ga’u
    Hexagonal Ga’u by Unknown

    4-1/8 (L) x 3-3/4 (W) inches. Hexagonal silver G'au or reliquary box with a beaded rim and scrolling leaf filigree design on the lid which is fitted with three turquoise and four red glass beads, each bound with red leather. The back has a removable base plate made of tin stamped with English Lettering: "Stand and Fire." The cover fitted on one side with a long looped ring and a pointed bead on the other.

  • Thumbnail for Dasavataras, Visnu's ten incarnations - one of set of ten
  • Thumbnail for Dasavataras, Visnu's ten incarnations - one of set of ten
  • Thumbnail for Dasavataras, Visnu's ten incarnations - one of set of ten
  • Thumbnail for Phurpa
    Phurpa by Unknown

    8-1/8 (L) x 7/8 (W) inches. This cast brass phurpa has three faces of wrathful deity at the end followed by a hexagonal knot, a double lotus flower grip, another knot, and head of a makara holding the tripartite iron blade with gilded nagas emerging from the mouth of the makara.

  • Thumbnail for Woman Worshipping Image of Krishna
    Woman Worshipping Image of Krishna by Unknown

    Paint on paper; 8 x 5 3/4 inches.

  • Thumbnail for Siling Poba (Man's Drinking Bowl)
    Siling Poba (Man's Drinking Bowl) by Unknown

    5 (Dia) x 2-3/8 (H) inches. Silver-lined wood burl man's drinking cup, with a high gadrooned silver foot.

  • Thumbnail for Seated Buddha
    Seated Buddha by Unknown

    6 inches (H) x 3-3/4 (W) x 2-1/2 (Depth).

  • Thumbnail for Dasavataras, Visnu's ten incarnations - one of set of ten