Siva Sundaresvara and Minaksi in procession, along South Avani Mula Street.; Minaksi temple, Avani Mula, 2007; 2nd morning procession; Keywords: sundaresvara, minaksi, processions
Decorated Minaksi image, during flag-raising ceremony; Minaksi temple, Avani Mula, 2007; Keywords: minaksi, flag-raising, decoration, ideas
Wooden base for processional chariot, with initial bamboo superstructure; Minaksi temple, Chittrai, 2004; Keywords: vehicles, ratha
Minaksi in 5th evening procession, on Yali vehicle; Minaksi temple, Avani Mula, 2007; 5th evening procession; Keywords: minaksi, vehicles, processions
Perhaps one hundred yards to the left and behind the pagoda, one begins a steep ascent up the side of the mountain to the Hall of Eternal Light. The stone steps lead one up the side of the hill in almost a straight line, going up the side of the hill for perhaps a quarter of a mile. At one point, off to the side of the stairs leading up the mountainside, one sees this short set of stone steps leading up to a niche carved out of the hill, where there is this small group of memorial stones.
This image shows the front of the Hall for Memorial Tablets, also known as the Hall of Eternal Light. As is seen here, the structure is extended out in space on scaffolding over the steep hillside. The white pieces of paper along the lines between posts on the edge of the porch are omikuji, printed "fortunes." They have been tied to the line here with a prayer that the deity may assist in the fulfillment of the fortune. Omikuji are very commonly found at Shinto shrines and represent, perhaps, a crossing over of a practice between Shinto and Buddhism.
Priest dressed as Siva, to perform in 6th day lila. The priest is C.M.S. Cinnasami Bhattar.; Minaksi temple, Avani Mula, 2007; priest is C.M.S. Cinnasam Bhattar (Vikrama Pandya moiety), represents Siva. Hat color not fixed.; Keywords: priests, lilas
Minaksi decorated for 6th morning procession, with priest, K. Velayutha Bhattar, who supervised the decoration of Minaksi on the 6th day.; Minaksi temple, Avani Mula, 2007; Priest is K. Velayutha Bhattar; Keywords: minaksi, decoration, priests
Siva Sundaresvara decorated for 8th evening procession.; Minaksi temple, Avani Mula, 2007; in Kalyana-mandapa, waiting for procession to begin; Keywords: sundaresvara, decoration
Minaksi on Golden Horse vehicle, for 8th evening procession; Minaksi temple, Avani Mula, 2007; in Kalyana-mandapa, waiting for procession to begin; Keywords: minaksi, vehicles, decoration
Devotional table (tirukkan) near Puttuttoppu mandapa, before procession; Minaksi temple, Avani Mula, 2007; Keywords: devotees
Tree and icons of worship, in outer part of Minaksi temple complex; Minaksi temple; on North Adi Stree, near North Gopuram; Keywords: deities, devotees
Temple elephant, adorned with gold forehead plate, at reception pavilion, Old Cokkanathar Temple.; Minaksi temple, Avani Mula, 2007; Keywords: animals
The interior of the kondo, the Golden Hall, at Muroji includes a central area surrounded all around by a corridor. The central area, called the moya, contains an altar with five standing statues. In front of the altar figures are smaller carvings of the twelve generals, attendants of the Yakushi Buddha. The statue shown in this image is the central figure on the altar and represents the Shaka or the Yakushi Buddha. The figure, a large wooden sculpture (perhaps 7 1/2 feet tal), l is an outstanding example of early Heian sculpture, from the mid-ninth century, with traits such as the fullness of the cheeks, the separate coils of the curls in the hair, the sharp division of chest and abdomen, the use of many repeated parallel folds in the carving of the robe, and the overall solemnity of expression. Also noteworthy here is the painted aureole behind the Shaka, which is well preserved and presents images of the seven Buddhas of the past and present world cycles.
This is a photograph of a typical shopping arcade; such arcades are fairly common in Japanese cities. The arcade is three or four blocks long, is covered by the roof the entire length of the arcade, and, of course, is open only to foot traffic and bicycles. The variety of shops in the arcade is great and includes, in the instance of this specific arcade, the following shops, as well as others --hard ware store, fish market, fruit and vegetable shops, pharmacy / variety store, McDonald's restaurant, beauty shop, clothing stores, tea ware gallery, pachinko parlor, bread bakery shop, Mister Donut shop, and a 100-Yen store (a bargain store). [other images in this colletion will show some of these individual shops]
As described in image 000058, this young boy has been brought to the Hachiman Shrine in Morioka, for the celebration of Shichigosan, Seven-five-three Day, when prayers are offered for the good fortune of girls who are seven or three years old and for boys who are five years old. This young lad, hoping that his father takes the photo quickly, because the sun in his eyes is bright, is dressed in his best formal traditional dress.
A view of the rectangular pool that lies in front of the Main Hall, the Kanjodo, the initiation hall, at Muroji. This is viewed with the hall at one's back, looking across the pool in the direction of the Muro River and Muro village on the other side of the river. There are orange koi in the pool and, in the spring, the surface of the pool is covered with petals of blossoms from nearby trees.
These are folded pieces of paper with printed fortunes or prayers on them, obtained at the local shrine. They are tied here and left at the Shinto shrine in the hope that the kami of the shrine will help to make the fortune come true or help to fulfill the prayer.
The entrance to the Hall for Memorial Tablets, at Muroji is on ground level of a small level area. Most of the hall, however, is built out over the steep hillside, supported on scaffolding, as shown in this image taken from the stone stairs as one approaches the small plateau.
This image shows the poster that was produced during the restoration of the five-story pagoda, which had been damaged by a typhoon in 1998.
Detail of the central bay of the Kanjodo at Muroji, showing part of the public portion of the hall. Included in the photo are the large vessel in which one may place a stick of lighted incense, the wooden offeratory box to the right of the incense vessel, and the container of sticks for fortunes on the right (see image ecasia000035).
In 1117, Fujiwara Motohira was granted permission to construct a major temple, Motsuji, at Hiraizumi, in Iwate Prefecture. Motsuji burned in the late 12th century and was not rebuilt, although the foundation stones are still visible and the garden pond that was built in front of the temple is still there. The pond had been silted up over the millennium since its building, but it has been cleared over the past several decades and restored to a very close approximation of its original appearance. The garden pond is fairly large, measuring nearly 200 yards long along the east-west axis, and nearly 100 yards wide north to south, in front of the temple, which was south facing at the northwestern side of the pond. This image shows a formation of craggy rocks that jut into the pond in its southeastern corner, with the vertical rock creating a strong contrast with the pond, itself.
This enlarged version of part of the image in file no. ecasia000001.jpg shows some of the lines engraved in the stone to depict an image of the Miroku Buddha. Again, the carving dates from 1207 or 1208, and is along the bank of the Muro River, along the approach to Muroji. The pattern of parallel curved lines in the image is stylistically interesting and might be compared with the linear pattern of the robe folds in the sculpture that is the central image in the kondo at Muroji, a sculpture that dates from the Heian period (image I.D. ecasia000007.jpg) or with the sculpture of the seated Shaka (ecasia000012.jpg), from the Mirokudo, Muroji, which dates from early Heian period.
This group of pieces line the edge of a porch across the front of the Ichino home, with its showroom here at the front of the ground floor. The two pieces on the left are very traditional Tamba pieces with their trailed decoration, which is calligraphic on the second piece, a traditional sake bottle.
Thorp Collection, Rice Lands, Wuautow, Zhejiang. This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this collection.