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  • Thumbnail for Yonsei University computer lab
    Yonsei University computer lab

    In order to use the internet for free one can use the computer lab in the New Millennium Hall.

  • Thumbnail for Namyun noodle dish
    Namyun noodle dish

    This is mild, sticky, cold noodle dish called Namyun. Seoul, South Korea.

  • Thumbnail for Mandugook

    This is a dumpling soup called mandugook. Seoul, South Korea.

  • Thumbnail for Anti-American imperialism poster - 1 of 3
    Anti-American imperialism poster - 1 of 3

    Series of images chronicling the US involvement in China during the early part of the 20th century.

  • Thumbnail for Seafood market
    Seafood market

    Primarily along the shores of Korea, there are rows upon rows of various stands selling all assortments of seafood. Each customer and can handpick which fish they want to take home to eat.

  • Thumbnail for Teapot with landscape image - closeup
    Teapot with landscape image - closeup

    This detail shows the haste with which this type of object was made in the swerving double lines at the top and the splashed ink trees on the right.

  • Thumbnail for Teapot with landscape image - side view
    Teapot with landscape image - side view

    This image shows how the artist carried the landscape scene around the pot, rather than simply create one on each side.

  • Thumbnail for Teapot with landscape image - front
    Teapot with landscape image - front

    Larger teapot with white glaze and painted landscape scenery of mountains in the distance, pavilion in the foreground.

  • Thumbnail for Yixing teapot - bottom
    Yixing teapot - bottom

    Bottom of Yixing teapot showing impression of seal.

  • Thumbnail for Manchu shoe  - top view
    Manchu shoe - top view

    Embroidered shoe worn by a female member of the Manchu ethnicity during the Qing era. As a rule, Manchu women did not bind their feet.

  • Thumbnail for Small Purse
    Small Purse

    Embroidered purse of about 3 inches square sowing images of butterflies and peonies. Given the subject matter of the images, it was probably used by a woman.

  • Thumbnail for Seal

    Bottom of seal with example of calligraphic seal script, commonly used for seals in China.

  • Thumbnail for Bronze censor - detail of bottom
    Bronze censor - detail of bottom

    This neatly fashioned rectangular box and openwork cover cleverly becomes a utilitarian incense burner, the pierced cover cast to allow incense to subtly drift upwards through a Buddhist inspired swastika decoration. The taotie handles and the geometric pattern on the ground areas add an archaistic element to the design. The base is inscribed with a dedicatory inscription. The base is inscribed with a dedicatory inscription to the person or persons receiving the gfit. In a panel surrounded by meander squares, there are twenty charcters in seal script. Of these, the character "chen" for "minister or officer" appears twice following characters which must have disignated names, and the character "shi" for "gentleman" follows in the same fashion. 4 1/8in. high, 6in. x 4 5/8 inches wide.

  • Thumbnail for Geese on a Pond [A]
    Geese on a Pond [A] by Ren Zun, 1835-1893

    This pair of paintings was painted by an artist of the "Shanghai School" at that time a derogatory term applied by the traditionalists. He was a member of a family of professional artists. The inscription: Painted in the summer of 1872 in the reign of Emperor Tangzhi by Fuchang, Ren Zun, in Wumen.

  • Thumbnail for Bronze pear-shaped vase
    Bronze pear-shaped vase

    The flattened slender vase has a flaring quatrefoil neck and mouth and two lion masks and rings are cast on to the shoulder. The body of the vase is decorated from above the foot to the mid section with loose fruiting flower branches. Floral decoration was an extremely popular motif during the Qing Dynasty and during this period artists freely departed from the strict orthodoxy of early Ming Dynasty floral décor. 10 inches high by 4.75 inches wide.

  • Thumbnail for Shrimp
    Shrimp by Qi Baishi, 1863-1957

    This artist has been called the "Picasso of China." Known for his simple compositions, economy of brush strokes, and bold contrasting colors.

  • Thumbnail for Landscape
    Landscape by Wu Tao, 1840-1895

    This painting reflects a strong traditional influence. The inscription: Spring breezes blow over the Peach Blossom Brook, and a touch of green circles the gray land.

  • Thumbnail for Buffalo Shepherd
    Buffalo Shepherd by Li Keran, 1907-1989

    Artist is known as the ""Buffalo artist."" Painted for Prof. and Mrs. Fang-yu Wang.

  • Thumbnail for Large porcelain dish - detail of bottom
    Large porcelain dish - detail of bottom

    The decoration on this blue and white charger was inspired by Islamic ceramics of the 16th and 17th centuries and influenced the decorative patterns used on 18th century Dutch Delft wares.

  • Thumbnail for Viewing a painting
    Viewing a painting by attributed to Chen Hongshou, 1598-1652

    Two scholars in a garden examine a scroll painting.

  • Thumbnail for Museum at My Lai, Vietnam
    Museum at My Lai, Vietnam

    View of the museum from just inside the gates of the Son My Vestige Area, better known to the world as the site of the 1968 My Lai massacre. Newly remodeled, the museum houses artifacts and photographs related to the US build up in the area, the post-Vietnam War era as well as the massacre itself.

  • Thumbnail for Nanko hanging scroll, full view
    Nanko hanging scroll, full view by Gakusen, Obe

    Japanese hanging scroll with vertically-oriented painting and a dark grey-blue mounting. The image area is 27 cm x 87.5 cm and depicts a Nanga school southern Chinese style with a scene of mountains in close proximity. Also known as “Haruku Kon†and “Tani Buncho,†Nanko studied Chinese painting in Nagasaki, where Chinese artists served as cultural envoys between China and Japan from the 17th century. The Nagasaki school mainly followed the southern school of the Ming and Qing eras and subjects were limited to landscapes. Nanko received commissions to execute paintings for the Imperial Palace. Although considered a Japanese painter, this instance of Nanko’s work is in one variant of the Chinese Nanga style, imitating the mi-dot brush stroke popular during the Sung dynasty.

  • Thumbnail for Woman in Twilight, front view
    Woman in Twilight, front view by unknown

    This print and five following are from a series of 21 night scenes published by Nishinomiya Y?saku of the Hasegawa publishing house between 1910 and 1920. They are fine examples of Shin-hanga “New Printmaking,†a movement reviving the studio/workshop methodology of earlier ukiyo-e. All the works are darkly inked, indicating night settings, and feature bokashi techniques to create atmospheric effects. Like most of the others, this print shows a traditional subject—a woman of the entertainment world walking to an assignment—with a subtle reference to Hiroshige in the firewatcher’s ladder and bell in the distance.

  • Thumbnail for Street Drama, characters
    Street Drama, characters by Utagawa Kuniyoshi

    Horizontal Japanese Ukiyo-e print; two panels from probable triptych; black and polychrome woodblock print on paper; various seals of Kuniyoshi, including “Ichiyosai†(a style name of Kuniyoshi). Artist is known for his depictions of heroic episodes in Japanese history. In his later work he tended to have a taste for the bizarre and the ghoulish. His work is influenced by European models, and in this work, the background has some degree of vanishing-point perspective. The works of Kuniyoshi are collected by many museums around the world, including Metropolitan of New York, Boston, San Francisco, Cleveland, The British Museum London, and the Nelson-Atkins in Kansas City.

  • Thumbnail for Ken Tenju hanging scroll, full view
    Ken Tenju hanging scroll, full view by Tenju, Ken

    Japanese Edo period hanging scroll with vertically-oriented painting and a brown brocade mounting. The image area is 28 cm x 187 cm and depicts the landscape of a Nanga school with the scene of a mountain and hut to the left, a river to the right, a bridge in the foreground, and an inscription to the upper right.