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  • Thumbnail for Thorp Collection 076, Jiuhuashang (mountains) - South Anhui. L.C.Li.
    Thorp Collection 076, Jiuhuashang (mountains) - South Anhui. L.C.Li.

    Jiuhuashang (mountains) - South Anhui. L.C.Li. This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of the image I.D. No. ecasia000072, "Altar of Heaven at night, Beijing."

  • Thumbnail for Thorp Collection 088, Guiyang from wall, Guizhou
    Thorp Collection 088, Guiyang from wall, Guizhou

    Guiyang from wall, Guizhou. This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. No. ecasia000072, ""Altar of Heaven at night, Beijing.""

  • Thumbnail for Thorp Collection 104, Terraced Hill N. side Gansu
    Thorp Collection 104, Terraced Hill N. side Gansu

    Terraced Hill N. side Gansu. This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. No. ecasia000072, ""Altar of Heaven at night, Beijing.""

  • Thumbnail for Thorp Collection 083, Untitled.
    Thorp Collection 083, Untitled.

    Untitled. This image and all othrs identified as I.D.Nos. ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing."

  • Thumbnail for Korean ceramics: Jar with dragon decoration, porcelain.
    Korean ceramics: Jar with dragon decoration, porcelain. by unknown

    A fairly large porcelain piece, very full in form. The surface of the piece functions as a canvas for the very bold, energetic brush decoration that covers the entire surface. The image is that of a dragon, a frequent theme in east Asian art, twisting as it moves through the air between clouds. The brush decoration is iron oxide applied under the glaze.

  • Thumbnail for Thorp Collection 198, Street Scene, Hsuchang, Henan.
    Thorp Collection 198, Street Scene, Hsuchang, Henan.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 145, "Karst" tatang, Gaungxi Zhuangzu Autonomous Region.
    Thorp Collection 145, "Karst" tatang, Gaungxi Zhuangzu Autonomous Region.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 162, Sm. Valley, Terraced Hills, Yichang.
    Thorp Collection 162, Sm. Valley, Terraced Hills, Yichang.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 189, Shin Lin (Stone Forest), Yunnan.
    Thorp Collection 189, Shin Lin (Stone Forest), Yunnan.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 163, Weaving Nets Yichang.
    Thorp Collection 163, Weaving Nets Yichang.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 167, Yichang Gorge and Rapids.
    Thorp Collection 167, Yichang Gorge and Rapids.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Muroji, 014,  Haiden, hall for worship, seen from veranda of the Golden Hall.
    Muroji, 014, Haiden, hall for worship, seen from veranda of the Golden Hall.

    Directly in front of the Golden Hall, on the south side, is an open area, which is used for ceremonies. The Mirokudo is on the western side of the open area, facing to the east. The small building in this image is on the eastern side of the open area. It is a building for worship, used to honor the dragon of Ryuketsu Shrine, which is directly to the east of Muroji. One of two straw dragons constructed as part of the Autumn Ryuketsu Shrine Festival is hung from a tree in the open area here at Muroji, while the other is hung by the river in front of the shrine, part of an interesting intermingling of rituals between the temple and the shrine.

  • Thumbnail for Thorp Collection 176, Windbox Gorge.
    Thorp Collection 176, Windbox Gorge.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Environmental Implications of Japan's Geology 17, Accessibility of natural world in traditional Japanese building style.
    Environmental Implications of Japan's Geology 17, Accessibility of natural world in traditional Japanese building style.

    Accessibility of natural world in traditional Japanese building style. -- Over the centuries the constant threat of earthquakes, volcanoes, landslides, floods and tsunami in Japan have produced a culture that emphasizes co-existence with nature rather than the more typical Western approach of trying to overcome or modify the natural world. It is, therefore, not surprising that traditional Japanese buildings have sliding panels that can be opened to allow the outside world to merge with that inside the building. The boundary between inside and outside becomes less well defined and the inside becomes almost an extension of the natural environment.

  • Thumbnail for Hiroshima:  Peace Memorial Museum, Art by Survivors, 02 -- "Help my Daddy and Mommy!"
    Hiroshima: Peace Memorial Museum, Art by Survivors, 02 -- "Help my Daddy and Mommy!" by Onoyama, Hiroko

    Help my Daddy and Mommy! -- Explanation by the artist: "A boy not yet of school age was standing on a crumbled pile of roof tiles shouting, 'My Daddy and Mommy are under here! Somebody help them!' A little baby on his back was crying. but no one could help that young boy." The scene depicted was 1200 meters from the hypocenter, near the Takanobashi Streetcar Stop. Hiroko Onoyama, the artist, was 23 at the time of the bombing, 80 when she drew this picture.

  • Thumbnail for Landscapes of Japan, 07, Andesitic lava flow, from the 1719 eruption of Mt. Iwate.
    Landscapes of Japan, 07, Andesitic lava flow, from the 1719 eruption of Mt. Iwate.

    Andesitic lava flow, from the 1719 eruption of Mt. Iwate. -- This nearly two and one-half mile long lava flow was extruded through the east flank of Mt. Iwate. The surface is typical blocky, or aa, type of lava. Note that some vegetation has begun to grow on the lava surface. -- Other volcanic landforms near Mt. Iwate include bubbling hot springs, fumaroles and small geysers, especially in the Hachimantai Plateau to the north.

  • Thumbnail for Thorp Collection 156, Unloading Cotton Hankou, Hupei.
    Thorp Collection 156, Unloading Cotton Hankou, Hupei.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 152, Northeast from Yuan Men Shan, Shandong.
    Thorp Collection 152, Northeast from Yuan Men Shan, Shandong.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 142, Camphor tree in bank, Hengchow, Hunan.
    Thorp Collection 142, Camphor tree in bank, Hengchow, Hunan.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 155, Famous Pine on Taishan.
    Thorp Collection 155, Famous Pine on Taishan.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Hiroshima:  Burn victims of the blast, 03.
  • Thumbnail for Hiroshima:  Peace Memorial Museum, Art by Survivors, 01 –-  “Injured, like creatures from another worldâ€
    Hiroshima: Peace Memorial Museum, Art by Survivors, 01 –- “Injured, like creatures from another world†by Yoshimura, Kichisuke

    Explanation by the artist: “Covered with blood, trudging silently away like ghosts from the city, the injured looked like creatures from another world.†The scene depicted was 4,000 meters from the hypocenter, near the current Yaga 5-chome, at about 10:00 am, August 6, 1945. The artist, Kichisuke Yoshimura, was 18 years old at the time of the bombing, 75 when he did this drawing. -- The drawings presented in this group of images, “Hiroshima: Peace Memorial Museum, Art by Survivors,†were photographed in November, 2005, in the gallery area of the Museum in Hiroshima. They were part of an exhibition that rotates annually, presenting drawings created by survivors of the atomic bomb explosion in Hiroshima. -- A sign at the entrance to the exhibition space introduces us to the drawings on display. Quoting the sign, “ This exhibit displays drawings by A-bomb survivors. A drawing by a survivor in 1974 inspired Hiroshima Station of NHK (Japan’s public TV and radio network) to invite

  • Thumbnail for Hiroshima:  Model of the target area before the explosion
    Hiroshima: Model of the target area before the explosion

    This model in the Peace Memorial Museum shows the area between and along the Honkawa River and the Motoyasu River. Since the end of the Edo period (1867) it had been the downtown shopping and entertainment district of Hiroshima, as well as an area of historic temples and shrines. -- Because of the threat of air-raids, several streets were being cleared of buildings during the summer of 1945, to create fire lanes. On the morning of August 6, many middle school students lost their lives because they were in this district that morning, working on the demolition of buildings to create the fire lanes. -- At the head of the islnd may be seen the "T" shaped bridge that was the actual target of the atomic bomb dropped by the Enola Gay. On the bank of the river, slightly to the right of that bridge is the copper-roofed building with a dome, the Hiroshima Prefecture Industrial Promotion Hall, that was almost directly beneath the actual point of detonation of the bomb, the hypocenter. The

  • Thumbnail for Korean Ceramics:  Porcelain Jar.
    Korean Ceramics: Porcelain Jar. by unknown

    Large spherical jar of the sort known as a "Moon" jar. The museum label comments, these jars "...were loved by Korean people not only because of their white color, which was suggestive of Confucian virtues, but also because the form was thought to represent the fertility and gentle, embracing qualities associated with women during the Joseon dynasty." This example presents an interesting comparison with the jar presented in file ecasia000358, another "Moon" jar from the collection of the Art Institute of Chicago. The one in Chicago has a more matte glaze surface, while this one has a transparent glaze. The difference in the glaze may be the result of placement in different locations in a kiln, with the matte surface possibly resulting from a slightly cooler temperature and the transparent glaze from a slightly higher temperature, as might result at the different ends of a tube kiln. (The Avery Brundage collection, B60P110+ )

  • Thumbnail for Hiroshima:  View of blast damage at the hypocenter
    Hiroshima: View of blast damage at the hypocenter

    This photo of the hypocenter, the point of detonation of the atomic bomb, was taken in the autumn of 1945. The bomb had exploded in the air, approximately 600 meters above the Industrial Promotion Hall. -- The devastation caused by the blast and the fires that followed was total. It is said that the city was reduced to ashes covered by a crust of materials melted by the heat, that the city appeared to be covered with lava. -- A survey completed in 1946 assessed the physical damage in these terms: Of 76,327 buildings in the city of Hiroshima at the time of the blast, 47,989 (62.9%) were totally collapsed and burned. 3,818 (5%) were totally collapsed. 18,360 (24%) were half collapsed and burned, damaged beyond repair. The staggering total of the damage figures is that of the 76,327 buildings in the city, 70,147 (91.9% of all buildings in the entire city) were burned or collapsed by the blast beyond any possibility of repair. -- This image is a section of a photo that is now a wa