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  • Thumbnail for Thorp Collection 024, tung tree in limestone crack, Sichuan
    Thorp Collection 024, tung tree in limestone crack, Sichuan

    Tung tree in limestone crack, Sichuan. This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 002, Altar of Heaven from the air, Beijing
    Thorp Collection 002, Altar of Heaven from the air, Beijing

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 004, Forbidden City from air, Beijing
    Thorp Collection 004, Forbidden City from air, Beijing

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, the first Thorp image presented in this project collection.

  • Thumbnail for Daisenin garden, view 12, detail, north garden, west end
  • Thumbnail for Daisenin garden, view 13, south garden
  • Thumbnail for Thorp Collection 062, Bridge - West of Hangzhou, Zhejiang.
    Thorp Collection 062, Bridge - West of Hangzhou, Zhejiang.

    Thorp Collection, Bridge - West of Hangzhou, Zhejiang. This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this collection.

  • Thumbnail for Thorp Collection 014, detail of Phoenix Post-7, Marble Balustrade - Forbidden City, Beijing
    Thorp Collection 014, detail of Phoenix Post-7, Marble Balustrade - Forbidden City, Beijing

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, the first Thorp image presented in this project collection.

  • Thumbnail for Tamba pottery, view 09., fired pots in the Ichino workshop
    Tamba pottery, view 09., fired pots in the Ichino workshop

    This group of finished pieces were on ware boards in the Ichino workshop. To some extent, they may represent experiments with new forms, glazes, or decorative techniques, that may diverge some from traditional Tamba vessels.

  • Thumbnail for Thorp Collection 067, Huangshan., Anhui (Yellow Mountains)
    Thorp Collection 067, Huangshan., Anhui (Yellow Mountains)

    Huangshan., Anhui (Yellow Mountains) This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of the image I.D. No. ecasia000072, "Altar of Heaven at night, Beijing."

  • Thumbnail for Thorp Collection 009, marble terrace - Fobidden City, Beijing
    Thorp Collection 009, marble terrace - Fobidden City, Beijing

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 007, throne room - Forbidden City, Beijing
    Thorp Collection 007, throne room - Forbidden City, Beijing

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, the first Thorp image presented in this project collection.

  • Thumbnail for Daisenin garden, view 09, northeast portion of east garden, detail, "bridge"
  • Thumbnail for Tamba pottery, view 15., detail, upper flue section of wood kiln chamber
    Tamba pottery, view 15., detail, upper flue section of wood kiln chamber

    Close-up photo of the upper end, upper flue, of the chamber being reconstructed in the previous (000334) image.

  • Thumbnail for Thorp Collection 063, Small Dams.
    Thorp Collection 063, Small Dams.

    Thorp Collection, Small Dams. This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this collection.

  • Thumbnail for East Asian Ceramics:  Then and Now.  05,  Punch'ong-ware Flask
    East Asian Ceramics: Then and Now. 05, Punch'ong-ware Flask by unknown

    In this Korean piece, a folk art piece from the 15th century, we see a whimsical design of fish that, in fact, makes a sophisticated use of positive and negative shapes. The surface of the stoneware vessel was coated with a thick white slip (a clay in a liquid state), done while the vessel, itself, was still damp, semi-soft clay. A sharp tool was then used to draw the design on the surface, with the tool cutting away a line in the white surface slip, revealing the darker clay of the vessel body beneath the slip. The piece was then glazed with a clear (transparent) glaze that would reveal the pattern under the glaze after firing. Although the glaze is clear, after firing it has a pale greenish color. This color comes from the presence of iron oxide in the glaze, which may have been added to the glaze before application or it may be iron from the dark, iron rich clay body used to make the piece. In the latter case, the iron would be pulled into the glaze during the firing process, which would be done in a wood-burning kiln with the presence of smoke and carbon monoxide creating the cool, greenish iron color (in the presence of a clear burning flame, iron oxide would produce a different palette of colors, ranging from tan to a sienna orange -kaki color in Japan- to the black of temmoku glazes). It is this particular greenish iron color that gives these Korean wares their name, punch’ong. The thick potting of this piece identifies it as the product of a rural, folk art kiln; this was not created as a “work of art.†-- Bequest of Russell Tyson, 1964.936

  • Thumbnail for Thorp Collection 122, Road - Mapochuan - Paingshui, Gansu.
    Thorp Collection 122, Road - Mapochuan - Paingshui, Gansu.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 123, Goiter- Gansu.
    Thorp Collection 123, Goiter- Gansu.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Horyuji, view 11, cloister walk, west side of compound at turn for sutra repository
    Horyuji, view 11, cloister walk, west side of compound at turn for sutra repository

    A pleasant image. Afternoon sun casting a pattern of light and shadow through the wooden grill work of the western wall of the walk surrounding the compound at Horyuji,looking northward at the point at which the image in view 7 was taken.

  • Thumbnail for Thorp Collection 128, Mongol VIllage.
    Thorp Collection 128, Mongol VIllage.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 135, Loess Cliffs - farm land.
    Thorp Collection 135, Loess Cliffs - farm land.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 126, Bare, white Alkali - Pootau, Suiyuan.
    Thorp Collection 126, Bare, white Alkali - Pootau, Suiyuan.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 134, Oats - Chestnutearth, Chahar.
    Thorp Collection 134, Oats - Chestnutearth, Chahar.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 117, Poppies Tao Valley, Gansu.
    Thorp Collection 117, Poppies Tao Valley, Gansu.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Japanese ceramics:  Tea leaf storage jar, Bizen ware.
    Japanese ceramics: Tea leaf storage jar, Bizen ware. by unknown

    Tea leaf storage jar, of modest size (perhaps 12" tall) but strongly articulated as a form. Unglazed stoneware with strong fire markings, characteristic of Bizen ware. Rice straw soaked in sea water salt brine was draped across the form as it was placed in the kiln; at the peak temperatures of the firing, the salt brine would volatilize and combine with the silica in the clay to form an "accidental" natural glaze. This procedure probably was followed initially as a means to keep pieces from fusing to one another in the firing, by separating them with high silica content rice straw, but with the discovery of the result of soaking the straw in brine, it became a frequent decorative technique on Bizen ware. Museum Purchase B67P10

  • Thumbnail for East Asian Ceramics:  Then and Now.  04, Shino-ware Jar by Rosanjin
    East Asian Ceramics: Then and Now. 04, Shino-ware Jar by Rosanjin by Kitaoji Rosanjin

    This Shino-ware jar was created by Rosanjin, a great Japanese ceramic artist of the first half of the 20th century. Rosanjin, a restaurateur by profession, was an "amateur" potter, who bagan making pottery because he could not find ceramic pieces that he felt were what he wanted to use in his restaurant. He often looked back to earlier traditions to find forms, glazes, techniques, and ideas from which to draw in his own modern work. In this piece, obviously, he has referred to the tradition of shino-ware with underglaze iron brush decoration. He has applied them to his own contemporary form, although it is interesting to note the undulations of the rim of the piece and to then look at the rims of many Momoyama and Edo period shino-ware tea ceremony bowls. The brown brushed design on this side of the piece are said to be stylized representations of pine trees; on the other side of the piece are forms suggesting birds. The orangish areas on the surface are areas where the glaze was