Colorado College Logo

  DigitalCC

Use AND (in capitals) to search multiple keywords.
Example: harmonica AND cobos

3808 hits

  • Thumbnail for Decorating deities, behind saree
    Decorating deities, behind saree

    Priests decorate deities for evening procession, behind saree. Decoration of the deity images should respect the privacy of the gods.; Minaksi temple, Avani Mula, 2007; in Kalyana-mandapa, on raised platform on west side; Keywords: decoration

  • Thumbnail for Sceptre and other regalia
    Sceptre and other regalia

    Sceptre, crown, and other items of sovereignty, before crowning of Sundaresvara; Minaksi temple, Avani Mula, 2007; taken in front of Sundaresvara sannithi: objects are cenkol, vettram, makuta, and eruttani (writing implement); Keywords: priests, regalia, crowning

  • Thumbnail for Sundaresvara on Nandikesvara
    Sundaresvara on Nandikesvara

    Siva Sundaresvara in 5th evening procession, on Nandikesvara vehicle.; Minaksi temple, Avani Mula, 2007; 5th evening procession, S. Avani Mula Street; Keywords: sundaresvara, vehicles, processions

  • Thumbnail for Minaksi coming out of temple gate
    Minaksi coming out of temple gate

    Minaksi comes out from temple gate, 6th evening procession; Minaksi temple, Avani Mula, 2007; Keywords: minaksi, priests, processions

  • Thumbnail for Minaksi on Yali vehicle
    Minaksi on Yali vehicle

    Minaksi in 5th evening procession, on Yali vehicle; Minaksi temple, Avani Mula, 2007; 5th evening procession; Keywords: minaksi, vehicles, processions

  • Thumbnail for Muroji, 033,  Hall of Eternal Light, front exterior
    Muroji, 033, Hall of Eternal Light, front exterior

    This image shows the front of the Hall for Memorial Tablets, also known as the Hall of Eternal Light. As is seen here, the structure is extended out in space on scaffolding over the steep hillside. The white pieces of paper along the lines between posts on the edge of the porch are omikuji, printed "fortunes." They have been tied to the line here with a prayer that the deity may assist in the fulfillment of the fortune. Omikuji are very commonly found at Shinto shrines and represent, perhaps, a crossing over of a practice between Shinto and Buddhism.

  • Thumbnail for Deities at mandakapadi
    Deities at mandakapadi

    Rear view of deities in state, at Old Cokkanathar Temple, prior to morning procession; Minaksi temple, Avani Mula, 2007; early morning, taken at Old cokkanatha Koyil, N. Veli Street, before deities leave for Vaigai River; Keywords: deities, pavilions, devotees

  • Thumbnail for Decoration of vehicle
    Decoration of vehicle

    Women decorate the Seven-color Vehicle with auspicious kolam design, prior to placing deities in it.; Minaksi temple, Avani Mula, 2007; Keywords: vehicles, decorations

  • Thumbnail for Saptavarna vehicle
    Saptavarna vehicle

    Saptavarna (seven-color) vehicle, used for 11th evening procession; Minaksi temple, Avani Mula, 2007; female decorates floor of vehicle with kolam design; Keywords: vehicles

  • Thumbnail for Worship of tree shrine
    Worship of tree shrine

    Tree and icons of worship, in outer part of Minaksi temple complex; Minaksi temple; on North Adi Stree, near North Gopuram; Keywords: deities, devotees

  • Thumbnail for Decorated Manikkavacakar
    Decorated Manikkavacakar

    Decorated Manikkavacakar from Tiruvathavur, before 11th evening procession; Minaksi temple, Avani Mula, 2007; Keywords: deities, decoration

  • Thumbnail for Yali vehicle, with Minaksi
    Yali vehicle, with Minaksi

    Yali vehicle, with Minaksi, on 5th evening procession.; Minaksi temple, Avani Mula, 2007; 5th evening procession, S. Avani Mula Street; Keywords: minaksi, vehicles, processions

  • Thumbnail for Sundaresvara on Golden Horse vehicle
    Sundaresvara on Golden Horse vehicle

    Siva Sundaresvara on Golden Horse vehicle.; Minaksi temple, Avani Mula, 2007; Keywords: sundaresvara, vehicles

  • Thumbnail for Sundaresvara on Golden Horse vehicle
    Sundaresvara on Golden Horse vehicle

    Siva Sundaresvara on Golden Horse vehicle.; Minaksi temple, Avani Mula, 2007; Keywords: sundaresvara, vehicles

  • Thumbnail for Muroji, 012,  Mirokudo, interior view, center altar
    Muroji, 012, Mirokudo, interior view, center altar

    This image shows the center altar in the Miroku Hall at Muroji. The sculpture on the altar is a carved wooden figure of the Miroku Bosatsu, a sculpture that is perhaps 3 feet high, dating from the 8th century. Dr. Fowler points out that this sculpture almost certainly was not the original sculpture on the center altar, which would have been a figure of the Miroku Buddha, rather than a bosatsu. -- Although some of the ritual objects in Buddhist temples vary somewhat from one sect to another, some objects are used in all sects. In this image we see the cushion on which the celebrant would sit in formal Japanese sitting posture, knees bent, sitting on the ankles. The rounded bronze object to the right is a "bell," with its open end at the top; it is struck on the outside with a padded stick, which produces the rich, resonant sound that accompanies and punctuates Buddhist chants. Also evident are three items found at all Buddhists altars, namely, flowers, incense, and light (candles). Often, as here, there also are offerings of fruit.

  • Thumbnail for Muroji, 009,  kondo, exterior, architectural detail
    Muroji, 009, kondo, exterior, architectural detail

    Muroji, kondo, exterior, architectural detail The kondo at Muroji, built in the early Heian period, still reflects much of its original character and feeling, although it also has been repaired and changed many times over the past millennium since its construction. In this image of the end of the kondo, we can see clearly what was the original middle point of the end wall, with a pillar at the center of the wall. Originally the ridge of the roof would have been directly above this point but, as we can see here, the ridge of the roof is now to the right of the middle pillar of the end wall. This shift occurred during the Kamakura period, when an extra bay was added across the front of the kondo to create a worship space, and a veranda was extended off the outside of that bay. These additions disrupted the symmetry of the original structure and necessitated the addition of a curious element to the front side of the roof, shown clearly in the previous image, Muroji, 008 (ecasia000011).

  • Thumbnail for Noh stage, National Theatre, Tokyo
    Noh stage, National Theatre, Tokyo

    This is the Noh stage at the National Theatre in Tokyo, photographed after a performance in December, 2000. Off to the left, out of the photo here, is the bridge, the hashigakari , along which the actors (rarely more than three) enter the stage and exit the stage. Constructed of unpainted wood, probably hinoki cypress, without curtains or scenery, the stage design is rooted in the utter simplicity of Ashikaga aesthetics, which was, of course, extraordinarily sophisticated in its focus on essences. This type of simplicity is very difficult to achieve, as any artist will attest to. -- All noh stages are identical in size and configuration and all have only one permanent element of decoration -- the pine tree on the back wall of the stage, seen also, e.g., at the noh stage at Hiraizumi (image ecasia000005).

  • Thumbnail for Muroji, 036,  Founder's Portrait Hall
    Muroji, 036, Founder's Portrait Hall

    Next to the Hall for Memorial Tablets is a Founder's Portrait Hall, a 14th century memorial to the 8th century priest, Kukai. Kukai had traveled to China, where he studied under a great Chinese master, Huiguo. Kukai was named the successor to Huiguo, but instead of remaining in China, he returned to Japan, where he founded the Shingon school of esoteric Buddhism. He was intimately tied to the history of the great complex at Mt. Koya and to the history of Muroji. On the hill behind the Founder's Hall is a seven-story stone stupa, said to mark the secluded spot to which Kukai came to sit.½he Portrait Hall, itself, contains a wooden sculpture of Kukai as an object of veneration.

  • Thumbnail for Magazines in bookstore section of a super-store
    Magazines in bookstore section of a super-store

    This section of the magazine rack in a new super-store features offerings for female adolescents. Interestingly, a number of the titles are in English, including magazines titled, Wink Up, Kitty Goods, and Ego system. The color schemes employed in the magazine covers are interesting, also, as reflections of colors seen elsewhere in contemporary Japanese culture.

  • Thumbnail for Jizo statues at a temple in Kamakura
    Jizo statues at a temple in Kamakura

    A Jizo is a Buddhist bodhisattva (bosatsu) who is the guardian of the souls of children who have died, as young children or in birth. Persons wishing to offer a prayer for the care of a child often bring a bib or apron or cap to dress one of the Jizo statues, as they ask that it care for the soul of the child in their prayers. These rows of Jizo figures are at the temple, Hasedera, where there is a hall dedicated to Jizo.

  • Thumbnail for Printed fortune cabinet at a temple
    Printed fortune cabinet at a temple

    For a donation of 100 yen, one may obtain a printed fortune, an omikuji . The black case contains a collection of sticks, each with a number on it. There is a small hole in the lid of the case. One would pick up the case, shake it to mix up the sticks, then turn the case upside down and shake one stick out through the hole in the lid. The number on that stick would direct one to one of the numbered drawers in the cabinet next to the table, where one would find one's fortune. A good fortune may be tied to a line, in effect, as a prayer to the deity of the shrine or temple, seeking their aid in bringing the fortune true. Very commonly seen at shrines, this particular cabinet is at Muroji, a Buddhist temple. Keywords: omikuji see also: ecasia000037

  • Thumbnail for Shinto shrine, Yamagishi neighborhood in Morioka, view from the front of the shrine
    Shinto shrine, Yamagishi neighborhood in Morioka, view from the front of the shrine

    As described in the previous image (ecasia000066) there is a local Shinto shrine on the hillside overlooking the Yamagishi district of the city of Morioka. This is a view front in front of the shrine, looking out across the neighborhood below.

  • Thumbnail for Muroji, 035, Hall for Memorial Tablets, view from the porch at side of Hall
    Muroji, 035, Hall for Memorial Tablets, view from the porch at side of Hall

    This is a view looking down the mountain path from the porch of the Hall of Eternal Light. The image conveys a sense of the quiet beauty of the temple's isolated location in a crytomeria forest, in the mountains of Nara Prefecture, southeast of Nara City.

  • Thumbnail for Byodoin, Hoodo, the Phoenix  Hall,  front exterior
    Byodoin, Hoodo, the Phoenix Hall, front exterior

    This photo of the Phoenix Hall at Byodoin shows the front of the hall, seen from across the pond in front of the hall. A gray day in early December with a light drizzle falling, the photo may not reveal much of the architectural detail on the hall, but it does capture a sense of the feeling of time and place in late autumn. On the right side on the photo is a bridge painted with brilliant vermillion, in stark constrast to the weathered paint of the Hoodo, proper. The bridge was, at the time of the photograph (December, 2000), a very recent construction, having been completed sometime during the fall, 2000, part of an attempt to reconstruct all elements of the compound with historical accuracy.. The Hoodo was completed in 1053, during the Heian period. It was built by Fujiwara Yorimichi, a major figure in the powerful Fujiwara clan.

  • Thumbnail for Thorp Collection 046, effect of salt on cotton, E. Jiangsu
    Thorp Collection 046, effect of salt on cotton, E. Jiangsu

    Effect of salt on cotton, E. Jiangsu. This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, the first Thorp image presented in this project collection.