At the entrance to the shrine, visitors are instructed to remove their shoes and sandals (chapples). The sign in English and Hindi indicates that while you are expected to remove your footwear at this shrine, the shrine takes no responsibility for their care. In other words, perhaps you might want to pay the man at the entrance to watch them for you. It's interesting that the sign is only in English and Hindi, not in Urdu or Marathi.
On New Year's Day (Oshogatsu), it is traditional to go to a local temple, to pray for health and good fortune in the coming year.
As one enters a Japanese home, one removes one's shoes in the entry way foyer, then steps up into the house, stepping into slippers that are worn only in the house. If one is visiting, the street shoes usually would be left on the floor in the foyer, with the shoe toes pointed away from the interior of the house, so that they can be stepped into easily as one leaves. If it is one's own home, the shoes usually would be placed in the cabinet next to the step. -- This custom has to do with the ideals of "purity," not allowing "dirt" from the outside to enter the house. This includes not only physical dirt but also, just as importantly, it includes the ideal of leaving psychic and emotional involvements with the outside world as one enters the sanctity of the home. In that sense, the removal of one's shoes is a symbolic separation from the concerns of the everyday world as one enters one's home.
The imperial throne room has long been used for the crowning of new emperors. The decorated panelling at the back depicts officials wearing the same court costumes as those of the T'ang dynasty of China. This period in the 7th and 8th centuries was the time of greatest cultural borrowing from China. --This was the description to accompany this image, as written by Arthur O. Rinden, the photographer. His description, which he referred to as a "script" was to accompany a slide show of images for his family and others.
This is in the basement of the Ueda Kominkan, the Public Hall in the neighborhood of the Earlham House. The case holds an array of porcelain/ceramic dishes that could be used by community members if they were to rent the room for a function. The small girl standing in front is Sakurakko, our Program Associateâ€™s daughter.
A red, three-wheeled modern rickshaw advertising McDonald's in bright yellow characters and "M"s.
Wedding procession, bridge, Sichuan. This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, the first Thorp image presented in this project collection.
This wedding couple, in their decidedly non-traditional attire, in a hotel, where their wedding was held, present an interesting comparison with the wedding parties seen in images soc000745 and ecasia000861. -- The wedding ceremony is one of many areas in which one may see a remarkable range of cultures and mixing of cultures, old and new, etc. Many couples today continue to be married in the ancient and indigenous Shinto tradition, often at a traditional shrine but also sometimes in a hall at a hotel, with the hall having been designated as a shrine to provide a proper setting for Shinto wedding ceremonies. Some couples today, being Christian, are married in a Christian ceremony in a church or, sometimes, again, in a â€œwedding hallâ€ in a hotel. Today it is not unusual for a couple to be wed in a Christian church or in a Christian ceremony in a hotel wedding hall, even though they may be non-Christians.