This is the view of the perimeter of the stairs leading to the main temple visible above. The terraces and the rain gutter are made of hand-placed stone. Note the small stone bridges apparently designed for access to the plants across the gutter.
This lovely sub-temple at Hasedera (same one as picture 24), offers a fine glimpse from its entrance way down a long corridor of the back garden.
This is the chandelier-like canopy above the statue of Kobo Daishi, in which are carved images of various Buddhas.
This view of Hasedera's lovely pagoda, or stupa, is from the balcony of the main hall, where a bell is visible hanging from the corner of an eave.
This is an infrared photo of the tall Kannon image of the main hall.
Statue of Fudo Myo-o within sub-temple.
An old tree stump within the Ikuta Jinja is herein celebrated by having its own enclosed space. Wrapped around it is a "himorogi," which is a rope with stylized paper strips hanging from it that traditionally demarcates any sort of sacred space. Large old trees are frequently honored in this regard; the presence of the himorogi will prompt some Japanese visitors to place their hands together and bow briefly before such a tree. This particular tree, however, is unique because it survived the ravages of war. See the explanation accompanying the photo of the wooden plaque pictured in cocrejpn0087.
This sign instructs those (probably of younger generations) who need a reminder how to worship (from right to left): "First you bow twice with back bent to ninety degrees and head lowered. Then you clap your hands twice at chest level. Then bow one last time."
This short path leading to a small shrine within the Ikuta Jinja compound is lined by vermillion torii. Many Shinto shrines will have paths almost covered by torii in this manner. The torii are commonly erected on behalf of donors to the shrine.
The spacious interior of the main hall has natural light entering from three sides. The central image of Kannon is just off the right edge of this photo, behind the glass case for candle offerings to the bodhisattva.
Along the path to Okunoin are many graceful statues. This one is of the bodhisattva of compassion Kannon (Kuan-yin in China). It looks almost as if it were a curving tree itself.
This ema, written in an accomplished calligraphic style, reads, " For the curing of illness -- [Name] -- December 26, 1957. Please, somehow, help."
This young woman sits in the shade on a ledge beside the main hall. She holds her cell phone and either reads or sends an email message.
This image of Kusunoki in full warrior regalia on a horse is priced at 80,000 yen (roughly $600).
Visible in the background is a small hill of Jizo statues, seen close up in photo 168.
Here shrine priests accompany a local business man to his car after emerging from the shrine's administrative building. Local businesses are often the greatest benefactors of a shrine. No doubt many business leaders believe that their relation to the shrine may help their business to prosper.
A variety of quality items here, many related to the martial character of much of Kusunoki's life, are displayed for interested buyers (all reproductions).
Along the path to Okunoin there are many thousands of carvings and other pieces of religious art. This is a miniature bronze stupa.
This is the newly constructed main hall. It was destroyed in the Great Hanshin Earthquake in 1995, and rebuilt in reinforced concrete.
This white torii stands on the main pathway of the shrine, about halfway between the main gate and the main shrine hall
Another photo of the tree that survived WWII.
Another family shrine in the forest of Koyasan.