A photo of Chairman Mao in military uniform greeting Red Guards at the outset of the Great Proletarian Cultural Revolution.
Portrait of General Charles "Chinese" Gordon, dressed here in robes presented by the Emperor, who led the Chinese army to victory against the Taipings.
Portrait of the Empress Dowager Cixi, wife of Qing Emperor Xianfeng; she died in 1908.
Actor Okochi Denjiro playing Tange Sazen, the one-eyed and one-armed killer, made a tremendous hit on movie-going audiences.
The boat is said to have been one of Sutemaru's toys. Resembling a real boat, it has a small cabin at the helm and another at the stern. A board with wheels is attached to the bottom of the boat so that it can be pulled.
Pu Yi, last of the Chinese emperors, was installed on a puppet throne in Manchuria (renamed Manchukuo) in an attempt by the Japanese to convince the world that Manchuria was independent and that an agreement between the two countries was in effect.
Natsume Soseki, professor of English and later employee of the Asahi Shinbun, produced fine literature with liberal and original themes. He first achieved success with his novel, I Am A Cat.
Illustration from the cover of TIME; photo of Chinese leader Deng Xiaoping in the middle of a three-panel folding screen, who is presiding over the transition from an agricultural socialist state to a new one marked by hamburgers, cameras, Nike shoes, high-rises and blue jeans.
Studied first under Kunisada and later with Toyokuni, took the name Kuniteru around 1844. Kana-dehon Chushingura (The Treasury of Loyal Retainers) was a popular and frequently performed Kabuki play in the late 18th and early 19th century in Edo. Based on actual historical events from 1701 â€“ 1703, the play tells of forty-seven ronin (samurai without a lord) who seek revenge for the unjust death of their leader Enya-Hangan. Included here are printed depictions of some of the particularly dramatic acts of the play. Act III: Enya-hangan draws his sword in reaction to the insults of Moronao, a capital offence resulting in a death sentence.
Next to the Hall for Memorial Tablets is a Founder's Portrait Hall, a 14th century memorial to the 8th century priest, Kukai. Kukai had traveled to China, where he studied under a great Chinese master, Huiguo. Kukai was named the successor to Huiguo, but instead of remaining in China, he returned to Japan, where he founded the Shingon school of esoteric Buddhism. He was intimately tied to the history of the great complex at Mt. Koya and to the history of Muroji. On the hill behind the Founder's Hall is a seven-story stone stupa, said to mark the secluded spot to which Kukai came to sit.Â½he Portrait Hall, itself, contains a wooden sculpture of Kukai as an object of veneration.
This photo of the Phoenix Hall at Byodoin shows the front of the hall, seen from across the pond in front of the hall. A gray day in early December with a light drizzle falling, the photo may not reveal much of the architectural detail on the hall, but it does capture a sense of the feeling of time and place in late autumn. On the right side on the photo is a bridge painted with brilliant vermillion, in stark constrast to the weathered paint of the Hoodo, proper. The bridge was, at the time of the photograph (December, 2000), a very recent construction, having been completed sometime during the fall, 2000, part of an attempt to reconstruct all elements of the compound with historical accuracy.. The Hoodo was completed in 1053, during the Heian period. It was built by Fujiwara Yorimichi, a major figure in the powerful Fujiwara clan.
Sometimes called the nga&quBaby Taj", the Bibi ki Maqbara is the tomb of Begum Rabia Durani, mother of Azam Shah, one of the grandsons of Shah Jahan who commissioned the Taj Mahal in Agra. This tomb shrine was constructed by Azam Shah as a memorial to his mother. An inscription states that the construction of the maqbara began in 1678 CD, and was designed by the Persian architect, Ustad Ata'ullah. The cost of this construction was 665,283 rupees, approximately $14,155 dollars at the 2003 exchange rate.
Chiang Kai-shek and Madame Chiang Kai-shek with Franklin Delano Roosevelt and Winston Churchill in Cairo at a 'wartime meeting' in Cairo, Egypt, in November of 1943.
Image taken at the wedding ceremony of Prince Akihito and Shoda Michiko. The prince deviated from previous tradition in marrying a woman of his own choosing.
Li Hongzhang, one of the prominent ministers under Prince Gong during the late Qing Dynasty, concerned with provincial reform; also assigned to go to Japan and negotiate with the victors there after the victorious maneuver on the part of the Japanese in Shandong, 1895.
As early as the Heian era, warlords owned and used saddles with elegant lacquered designs. This saddle was owned by Hideyoshi. An inscription on the saddle suggests that it is an older structure that was redecorated for Hideyoshi.
Portrait of Confucius, with Chinese inscription underneath. Based on image carved in stone at Qufu, Confucius' hometown.
In the three letters mounted together in this handscroll, which opens with an anonymous portrait of Wang Yangming, his calligraphy is sharp and angular, and the characters are vertically elongated. The brushwork appears rapid and agitated. Wang's calligraphy may reflect anxieties expressed in the content of the letters, which were addressed to his nephew Zheng Bangrui and can be dated to between 1523 and 1525. Wang writes of the burden of managing his family's affairs after the death of his father in 1522, the illness of his wife (who died in 1525) and his obligation to arrange the marriage of a niece. Together, these letters in Wang's own hand provide a rare glimpse into the everyday life of the noted philosopher.
The inscription gives Jiao Bingzhen as the artist, though the painting is probably later in date. The painting depicts a scene from the biography of General Zhu Zhixi, president of the Board of War for the Kangxi Emperor of the Qing dynasty. A biography is appended. The scene shows the general in a library set into a garden, with servants nearby. 11 7/8 x 44 inches. Ink and colors on silk.
Signed and sealed lower right. color woodblock print triptych. 14â€ x 27 3/4â€ (35.6 cm x 69.2 cm)
Diptych. The subject is Sakura Sogoro (1597-1645) taking leave of his family. He was on his way to ask alleviation of taxes from Shogun Ietsuna, for which misdemeanour he and his whole family were executed in 1645. First he and his wife were forced to see their three sons being beheaded, then they themselves were crucified. Color woodblock print; image: 18 3/8â€ x 13 1/4â€ (46.6 cm x 34.8 cm). on two 14 3/4â€ x 10â€ (37.5 cm x 25.5 cm) sheets.
Sign in English and Hindi for the Tomb of the last Mughal Emperor, Aurangzeb. Behind this sign is a small sign explaining that anyone who vandalizes this monument will be subject to imprisonment of up to three months, a fine of up to 5000 rupees [more than $100], or both.
This portrait done with ink and color and gold leaf on silk is believed to be of the eighth Ashikaga shogun, Yoshimasa.