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  • Thumbnail for Thorp Collection 165, Medecine Man - Yichang.
    Thorp Collection 165, Medecine Man - Yichang.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Landscapes of Japan, 16, Rice fields, Mt. Iwate, west of Morioka.
    Landscapes of Japan, 16, Rice fields, Mt. Iwate, west of Morioka.

    Rice fields, Mt. Iwate, west of Morioka. -- Here, competing uses for flat alluvial plains for agriculture and urban expansion are evident. Originally this was all agricultural, but now the growing suburbs of Morioka are encroaching on the land. The volcanic cone of Mt. Iwate rises above the plain.

  • Thumbnail for Hiroshima:  Peace Memorial Museum, Art by Survivors, 10  --  "Mother burned black covering her baby under her chest."
    Hiroshima: Peace Memorial Museum, Art by Survivors, 10 -- "Mother burned black covering her baby under her chest." by Taguchi, Mitsuko

    Mother burned black covering her baby under her chest. -- Explanation by Artist: "She was lying in the middle of the road, where she had died trying to get away carrying her child. Her hair was standing on end and her baby was under her chest, as if still alive. Her eyes were wide open, I still can't forget that shocking sight."The scene depicted ws 1,000 meters from the hypocenter, in front of Hiroshima Central Broadcasting Station, Kaminagarekawa-cho (now Nobori-cho). Artist was 30 at the time of the bombing, 60 when she drew this picture.

  • Thumbnail for Hiroshima:  Peace Memorial Museum, Art by Survivors, 17  --  "Many names written in charcoal on a wall"
    Hiroshima: Peace Memorial Museum, Art by Survivors, 17 -- "Many names written in charcoal on a wall" by Matsumoro, Kazuo

    Many names written in charcoal on a wall -- Explanation by the artist: "Part of the wall at Takeya Elementary School. The names of missing people were written in charcoal by those looking for them. 'Hisako Nishimura - tell me where your are - Mother' 'Kazuko, come here' 'Toshie Mitsutani is OK' 'Ippei Masuda, Miyoko is OK, going to Mukaihara' 'Father, Mother both OK, come to Hijiyama Gobenden.' " -- 1,280 m from the hypocenter, Takeya Elementary School, Takara-machi. The artist was 32 at the time of the bombing, 61 when he drew this picture.

  • Thumbnail for Traditional Shinto wedding
    Traditional Shinto wedding

    This young couple were married in the traditional Shinto ceremony at the famous Itsukushima shrine on Miyajima Island in the Inland Sea, near Hiroshima. They are wearing traditional formal dress for the Shinto ceremony.

  • Thumbnail for Nixon in China
    Nixon in China

    In this cover photo from Newsweek, President Richard Nixon toasts Chinese Premier Zhou Enlai in the Great Hall of the People in March, 1972.

  • Thumbnail for Nam Dae Mun Market street vendor
    Nam Dae Mun Market street vendor

    This is a typical scene in which we find the seller and his wears. Most of these tables have pants, shirts, and any other article of clothing that anyone would need to buy. Unless you really know what you are doing, bartering is no longer done. Plus, most of the items are cheap enough to buy at the fixed price without having to feel buyer's regret. Seoul, South Korea

  • Thumbnail for Thorp Collection 029, wedding procession, bridge, Sichuan
    Thorp Collection 029, wedding procession, bridge, Sichuan

    Wedding procession, bridge, Sichuan. This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 047, old man and pipe by canal, Jiangsu
    Thorp Collection 047, old man and pipe by canal, Jiangsu

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 164, No Title.
    Thorp Collection 164, No Title.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Landscapes of Japan, 12, Flat land used for new suburbs west of Morioka.
    Landscapes of Japan, 12, Flat land used for new suburbs west of Morioka.

    Flat land used for new suburbs west of Morioka. -- This illustrates how a burgeoning population and demand for housing leads to suburban sprawl onto available flat land. The ridges remain forested while the flat alluvial plain is occupied by new homes. Previously this was agricultural land.

  • Thumbnail for Landscapes of Japan, 13, Bayhead bar beach and coastal village of Hiraiga.
    Landscapes of Japan, 13, Bayhead bar beach and coastal village of Hiraiga.

    Bayhead bar beach and coastal village of Hiraiga. -- Along this mountainous coastline, flat land is scarce. The homes and buildings of the small village of Hiraiga are crammed into nearly every piece of reasonably flat land above the high tide line. In much of Japan, rugged mountains separate the small areas of flat land upon which villages could be built causing the villages to be isolated from one another. The scarcity of flat land also leads to concentration of the Japanese population into those areas flat enough to build upon.

  • Thumbnail for Hiroshima:  Peace Memorial Museum, Art by Survivors, 14  --  "Injured dying one after the next, people looking for family"
    Hiroshima: Peace Memorial Museum, Art by Survivors, 14 -- "Injured dying one after the next, people looking for family" by Anonymous

    Injured dying one after the next, people looking for familyured d -- Explanation by the Artist: king fMorning, noon and night, the injured died. White medicines applied [to] burns made pores look bright red. Many were carrying huge loads, calling out, searching for parents, siblings, friends. Relief teams called, 'Anyone here from such and such neighborhood?' I think it was about the 8th when three young soldiers saluted and left. After they left, we heard they were suicide troops sent in from Etajima island. -- The artist was 19 at the time of the bombing, 49 at the time he drew this picture.

  • Thumbnail for Nixon Visits China
    Nixon Visits China

    Postcard commemorating Nixon's historic visit to China, 1972.

  • Thumbnail for Hanbok
    Hanbok

    These are traditional garments that Korean people wear on special occasions: i.e. weddings and ceremony. Seoul, South Korea.

  • Thumbnail for Korean meal at home
    Korean meal at home

    Each person at a meal in a home does not have a main plate, but instead eats from a communal plate in the middle along with smaller dishes surrounding filled with various kinds of vegetables or fish.

  • Thumbnail for Thorp Collection 048, ditch mud-fertilizer, Nontungchow
    Thorp Collection 048, ditch mud-fertilizer, Nontungchow

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, the first Thorp image presented in this project collection.

  • Thumbnail for Thorp Collection 198, Street Scene, Hsuchang, Henan.
    Thorp Collection 198, Street Scene, Hsuchang, Henan.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Hiroshima:  Peace Memorial Museum, Art by Survivors, 02 -- "Help my Daddy and Mommy!"
    Hiroshima: Peace Memorial Museum, Art by Survivors, 02 -- "Help my Daddy and Mommy!" by Onoyama, Hiroko

    Help my Daddy and Mommy! -- Explanation by the artist: "A boy not yet of school age was standing on a crumbled pile of roof tiles shouting, 'My Daddy and Mommy are under here! Somebody help them!' A little baby on his back was crying. but no one could help that young boy." The scene depicted was 1200 meters from the hypocenter, near the Takanobashi Streetcar Stop. Hiroko Onoyama, the artist, was 23 at the time of the bombing, 80 when she drew this picture.

  • Thumbnail for Hiroshima:  Peace Memorial Museum, Art by Survivors, 01 –-  “Injured, like creatures from another worldâ€
    Hiroshima: Peace Memorial Museum, Art by Survivors, 01 –- “Injured, like creatures from another world†by Yoshimura, Kichisuke

    Explanation by the artist: “Covered with blood, trudging silently away like ghosts from the city, the injured looked like creatures from another world.†The scene depicted was 4,000 meters from the hypocenter, near the current Yaga 5-chome, at about 10:00 am, August 6, 1945. The artist, Kichisuke Yoshimura, was 18 years old at the time of the bombing, 75 when he did this drawing. -- The drawings presented in this group of images, “Hiroshima: Peace Memorial Museum, Art by Survivors,†were photographed in November, 2005, in the gallery area of the Museum in Hiroshima. They were part of an exhibition that rotates annually, presenting drawings created by survivors of the atomic bomb explosion in Hiroshima. -- A sign at the entrance to the exhibition space introduces us to the drawings on display. Quoting the sign, “ This exhibit displays drawings by A-bomb survivors. A drawing by a survivor in 1974 inspired Hiroshima Station of NHK (Japan’s public TV and radio network) to invite

  • Thumbnail for Hiroshima:  Peace Memorial Museum, Art by Survivors, 08  --  "Water! Water, please!"
    Hiroshima: Peace Memorial Museum, Art by Survivors, 08 -- "Water! Water, please!" by Sato, Yasuko

    Water! Water, please! -- Explanation by the Artist: -- "'Water! Water! Water!' Voices reverberated through the brick building. I was told, 'get their names and addresses,' so I went around asking them. Some moved their mouths but I couldn't hear what they said. Some were already dead. One answered clearly. 'I'm Hitoshi Miyake. first year, Class 1, First Hiroshima Prefectural Junior High School.' A little later I went back to see him and Hitoshi was dead, too. Thinking about how he must have felt, I felt compelled to report his death to his family. On my way home, I found his house and told them. His parents just cried and cried." -- The scene depicted was 2,670 meters from the hypocenter, Hiroshima Army clothing Depot, Deshio-cho (now, Deshio-cho 2-chome). The artist was 17 at the time of the bombing, 74 when she drew this picture.

  • Thumbnail for Hiroshima:  Peace Memorial Museum, Art by Survivors, 09  --  "Family touching each other to confirm their presence."
    Hiroshima: Peace Memorial Museum, Art by Survivors, 09 -- "Family touching each other to confirm their presence." by Watari, Shizuko

    Family touching each other to confirm their presence. -- Explanation by Artist: "A couple 40 to 45 years old lying in broken glass, their clothes burned, their bodies charred black, were in their death agonies. Yet they kept saying, "please feed our child." They called the name of the child repeatedly as they slipped toward death. Neither they nor their child could see, so they touched each other to confirm that each was still alive. When I went back with riceballs and water on the 8th, all three were dead." The scene depicted was 3,000 meters from the hypocenter, Yoshijima Air Field (now Yoshijima-nishi, Yoshijima-higashi, Konan 1-3-chomo) Artist was 36 at the time of the bombing, 66 when she drew this picture

  • Thumbnail for Hiroshima:  Peace Memorial Museum, Art by Survivors, 12  --  "Staring dazed at scenes from hell."
    Hiroshima: Peace Memorial Museum, Art by Survivors, 12 -- "Staring dazed at scenes from hell." by Fujise, Asako

    Staring dazed at scenes from hell -- Explanation by the Artist: The atomic flame turned humans into insects, smashing people like ants. Running blindly, severely burned, covered with blood, pathetic people turned insects formed a picture of hell. Precious irreplaceable lives were snuffed out in the flames. Even the rivers were unrecognizable in the burning city of Hiroshima. Truly, a picture of hell. Worried about my relatives, I stared at it all in a daze." -- The scene depicted was 2,000 meters from the hypocenter, Hijiyama Hill (now Hijiyama Park). The artist was 22 at the time of the bombing, 51 when she drew this picture.

  • Thumbnail for Hiroshima:  Peace Memorial Museum, Art by Survivors, 20  --  "The female student I passed was my sister."
    Hiroshima: Peace Memorial Museum, Art by Survivors, 20 -- "The female student I passed was my sister." by Ota, Haruyo

    The female student I passed was my sister -- Explanation by the artist: "It was like a road but there was no road. Not a single person could get through. I was worried about getting there before dark, so I walked right by two female students. One had bandages on her head and arms. One arm was in a sling of calico cloth. The other was wearing a uniform drenched with blood, her head wrapped, face covered with blood, hair singed red. She looked like a demon. For some reason, I spoke to her and discovered to my astonishment that she was my sisiter. I pinched my cheek thinking I must be dreaming." -- August 6, 1945, 3:30 - 4:00 p.m. -- 800m from the hypocenter, near Dobashi. The artist was 18 at the time of the bombing, 48 when she drew this picture.

  • Thumbnail for Sinchon
    Sinchon

    Sinchon is an area of Seoul where the nightlife comes alive and where Yonsei University can be found. Seoul, South Korea.