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Browsing 526 results for facet Topic with value of Arts-Painting.
  • Thumbnail for Ellora, Datta Temple
    Ellora, Datta Temple

    Datta, a combination of Vishnu, Brahma, and Siva, is a god most familiar in Maharashtra. While most Hindu temples display images of various gods and goddesses throughout, as does this temple, this Datta Temple places all three gods in its innermost shrine, reserved for the primary deity of the temple. The ancient sacred Sanskrit syllable, AUM, is placed above the doorway to the inner sanctum. The intense orange-yellow color dominating the temple assoicates with ascetic practices.

  • Thumbnail for Ellora, Datta Temple, Linga between bull horns
    Ellora, Datta Temple, Linga between bull horns

    On a pillar of the temple, a lingam sits between the horns of a bull.

  • Thumbnail for Poem and Cypress Trees
    Poem and Cypress Trees by Konoe Nobutada and Hasegawa Tohaku

    Among Konoe Nobutada's masterpieces is this six-panel screen that includes a waka poem - energetically inscribed in oversized kana - surrounding a sensitively brushed ink painting of a cypress grove. Recent scholarship has attributed the painting to Hasegawa Tohaku, based on a stylistic comparison to the brushwork and artistic expression of his famous Pines in Mist. - John T Carpenter

  • Thumbnail for Crane scroll, part 4
    Crane scroll, part 4 by Sotatsu, Tawaraya , Koetsu, Hon'ami

    See Crane scroll, part 1 (soc000277)

  • Thumbnail for Benten
    Benten

    Benten sits on a rock, playing her Biwa as waves lap her perch.

  • Thumbnail for Fan painting of the gods of wealth and long life
    Fan painting of the gods of wealth and long life

    A New Years Haiku. Text: "Shaved up and ready (Sori-tatete)/ Pines by the door and breezes, (kadomatsu kaze-ya)/ Happiness, Wealth, Long Life (Fukurokuju). [Signed] Buson [seal]"

  • Thumbnail for Battle of Lepanto
    Battle of Lepanto

    As the number of Christians in Japan in the 16th and 17th centuries grew, so did demand for religous paintings from Europe. Because supply far outstripped demand, it became apparent that native artists would have to be trained. Many times the artists were simply shown how to copy the European paintings directly, but in this screen, commonly thought to be a depiction of the Battle of Lepanto, no pictorial prototype appears to have been available. The composition is actually made up of an arbitrary pastiche of themes copied form various sources. The contending forces are the Turks, to the right, and the Christian battalions, tightly grouped to the left, with their logistical advantage, matchlock guns, clearly depicted.- abridged from catalogue entry by Money Hickman.

  • Thumbnail for Battle of Lepanto, Detail B
    Battle of Lepanto, Detail B

    See the Battle of Lepanto screen description, soc000618

  • Thumbnail for Horses
    Horses by Hideyori, Kano (d. ca 1576/7)

    A dappled white horse (ema) bucks, head restrained by a bridle tied to steaks in the ground. One half of a set.

  • Thumbnail for Horses
    Horses by Sunraku, Kano (1559-1635)

    This pair of ema [votive paintings] were produced by Kano Sunraku, one of the most gifted artists of the late Momoyama and early Edo periods. Admired for their strength and speed and venerated for their innate, resolute spirit, horses have played a conspicious role in Japanese religious practices, ceremonial rites, and warfare since ancient times. Early accounts describe how horses were used in Shinto shrines, where their participation in solemn rituals was thought to be efficacious in precipitating rainfall or, conversely, in discouraging excessive rain and restoring good weather. To carry out these objectives, shrines were equipped with a pair of good animals, one of a dark hue, to cause rain to fall, and a second, with a light coat, to bring back the sun. Horses, in addition to their function in rites intended to affect the weather, had a more basic role as messengers and intermediaries between the temporal world and the Shinto gods. - abridged from catalogue entries by Money Hickman.

  • Thumbnail for Ema
    Ema by Motonobu, Kano

    This painting by Kano Motonobu (1476-1559) shows a spirited steed, restrained by two lines leading from its bridle to stakes in the foreground.

  • Thumbnail for Fan Painting of a Jesuit Church
    Fan Painting of a Jesuit Church by Shoshu, Kano (1551-1601)

    Although there is no consensus on which church is represented in this fan painting, most believe it to be the one on Shijobomon, due to its unusual three-story construction. This painting was among a series of sixty-one fans painted by Kano Shoshu, mounted in an album showing famous sites in and around Kyoto, of which only twenty-four paintings are thought to survive. - abridged from catalogue entry by Christine Guth.

  • Thumbnail for Vishnu
    Vishnu

    Modern Poster style rendition of Vishnu as Maha-Vishnu. The peacock feather in the crown is a reference to his incarnation as Krishna.

  • Thumbnail for Map of the World
    Map of the World

    This map of the world was originally paired with the screen, the Battle of Lepanto.

  • Thumbnail for Life in a village
    Life in a village by Nie Ou, 1948-

    Painted by a female artist who taught herself to paint and who lived in the countryside during the Cultural Revolution.

  • Thumbnail for Landscape
    Landscape by Chang Ting, 1917-

    The artist studied abroad in Italy and France in 1954 but during the Cultural Revolution he was restricted to the countryside without any painting supplies. His paintings often incorporate elements of Chinese folk art.

  • Thumbnail for Geese on a Pond [A]
    Geese on a Pond [A] by Ren Zun, 1835-1893

    This pair of paintings was painted by an artist of the "Shanghai School" at that time a derogatory term applied by the traditionalists. He was a member of a family of professional artists. The inscription: Painted in the summer of 1872 in the reign of Emperor Tangzhi by Fuchang, Ren Zun, in Wumen.

  • Thumbnail for Wild orchid
    Wild orchid by Zhu Qizhan, 1892-1996

    Influenced by Western painters, this artist uses brilliant colors and quick, bold strokes. He was born and lived near Shanghai.

  • Thumbnail for Tang Yin portrait, close-up of figure
    Tang Yin portrait, close-up of figure by Signed 'Tang Yin'

    Chinese vertical scroll painting, likely a forgery; colors on silk, brocade frame mounted on paper, flush roller with brocade ends; image area 20.4 cm x 55.8 cm; subject Chang Hsien the archer, patron of child-bearing; birth of male child announced by hanging bow at door or gate, calligraphy, five seals. The subject matter does not match the artist’s inscription. Tang Yin is very well known for his versatility, including calligraphy, figures, and landscapes. He was also known for his literary talents and free-spirited lifestyle. His artistic reputation is reflected in many writings, including novels and dramas in later eras and his love of women is depicted in the performing arts and popular culture. Tang Yin was known as a commercial painter who sold his works and took commissions. Many of the extant works that bear his signature are forgeries. The artist of this painting displays a unique manner in his brushwork, with angular and edgy outlines that reflect the influence of Zhou Chen (still alive in the 1530s), another famous painter of Tang Yin’s era. Tang Yin originally studied painting with Zhou Chen, however Zhou Chen occasionally ghost-painted for Tang Yin due to the huge demand for Tang’s paintings. Another possibility is that the inscription of this painting was done by Tang Yin and the figure was done by Zhou Chen.

  • Thumbnail for Autumn Leaves and Chrysanthemums, characters
    Autumn Leaves and Chrysanthemums, characters by Jin Dui

    Horizontal Chinese painting; ink and colors on paper; 34.2 cm x 27.3 cm; white chrysanthemums, symbol of 9th month, autumn and fruit blossoms; calligraphy and one seal by artist.

  • Thumbnail for Landscapes and Figures, mountain scene with house
    Landscapes and Figures, mountain scene with house by Ren Xun

    Chinese painting of a mountain scene that is part of a set of four related paintings. Ren Xun was the younger brother of Ren Xiong (1820-1864) and his family members were successful commercial painters in Shanghai and nearby regions and skilled in many subjects, including portraiture. Ren Xun followed the style of one of the eccentric painters, Chen Hongshu (1598-1652) in his figure paintings and was also skilled in bird-and-flower subjects. Both brothers were active in Shanghai and their styles are labeled “Shanghai School†for their colorful and decorative features and popular subjects.

  • Thumbnail for Landscapes and Figures, mountain scene with house
    Landscapes and Figures, mountain scene with house by Ren Xun

    Chinese painting of a mountain scene that is part of a set of four related paintings. Ren Xun was the younger brother of Ren Xiong (1820-1864) and his family members were successful commercial painters in Shanghai and nearby regions and skilled in many subjects, including portraiture. Ren Xun followed the style of one of the eccentric painters, Chen Hongshu (1598-1652) in his figure paintings and was also skilled in bird-and-flower subjects. Both brothers were active in Shanghai and their styles are labeled “Shanghai School†for their colorful and decorative features and popular subjects.

  • Thumbnail for Portrait, mid-section view
    Portrait, mid-section view by Unknown

    19th century portrait depicting a subject seated in a garden by a stream, chrysanthemum in a vase and a pine tree. The chrysanthemum in the vase symbolizes autumn while the pine tree represents longevity. The image area is 67cm x 130.5 cm and was made using Chinese ink and colors on paper in a silk mounting. The subject and artistic style are reminiscent of the famous artist, Ren Xiong (1820-1864). Ren Xiong and his family members were successful commercial painters in Shanghai and nearby regions and skilled in many subjects, including portraiture.

  • Thumbnail for Portrait, full view
    Portrait, full view by Unknown

    19th century portrait depicting a subject seated in a garden by a stream, chrysanthemum in a vase and a pine tree. The chrysanthemum in the vase symbolizes autumn while the pine tree represents longevity. The image area is 67cm x 130.5 cm and was made using Chinese ink and colors on paper in a silk mounting. The subject and artiistic style are reminiscent of the famous artist, Ren Xiong (1820-1864). Ren Xiong and his family members were successful commercial painters in Shanghai and nearby regions and skilled in many subjects, including portraiture.

  • Thumbnail for Lotus, characters
    Lotus, characters by Wu Shouxian

    Chinese hanging scroll with vertically-oriented painting; black ink and trace of red on paper; image area 31 cm x 132.4 cm; brocade frame, flush roller with brocade ends; lotus represents purity, perfection, summer, and the flower carried by Ho Hsien-Ku, the eighth of the eight immortals revered in Buddhist worship; calligraphy, one seal by the artist.