Colorado College Logo

  DigitalCC

Use AND (in capitals) to search multiple keywords.
Example: harmonica AND cobos

526 hits

  • Thumbnail for Painted Bodhisattva on pillar, close-up
    Painted Bodhisattva on pillar, close-up

    The pillars inside this cave display many figures of Buddhist monks as bodhisattvas and buddhas. These monks wear the traditional monastic robe covering one shoulder. The bodhisattva holds the lotus, symbol of enlightenment.

  • Thumbnail for Painted Bodhisattva on pillar
    Painted Bodhisattva on pillar

    The pillars inside this cave display many figures of Buddhist monks as bodhisattvas and buddhas. These monks wear the traditional monastic robe covering one shoulder. The bodhisattva holds the lotus, symbol of enlightenment.

  • Thumbnail for Ellora, Datta Temple, gray Makara
    Ellora, Datta Temple, gray Makara

    On a pillar of the temple is this gray makara, a mythical aquatic beast associated with the Ganges gharial, a species of crocodile. The makara is associated with Kamadeva, god of desire, as well as the goddess Ganga and the Vedic god of the sea, Varuna.

  • Thumbnail for Ellora, Datta Temple, stylized peacock
    Ellora, Datta Temple, stylized peacock

    On a pillar of the temple is this stylized peacock. The peacock is sometimes associated with the god Brahma and his consort, Saraswati.

  • Thumbnail for Emperor Qianlong
    Emperor Qianlong by Giuseppe Castiglione

    Portrait of the Chinese Emperor Qianlong; detail taken from "In My Heart There Is the Power to Reign Peaceably."

  • Thumbnail for Empress Dowager Cixi
    Empress Dowager Cixi

    Portrait of the Empress Dowager Cixi, wife of Qing Emperor Xianfeng; she died in 1908.

  • Thumbnail for Crane scroll, part 3
    Crane scroll, part 3 by Koetsu, Hon'ami , Sotatsu, Tawaraya

    See Crane scroll, part 1 (soc000277)

  • Thumbnail for Painting of Mounted Warrior
    Painting of Mounted Warrior

    A depiction of a high-ranking warrior on a horse, his sword unsheathed for battle. This image has traditionally been identified as Ashikaga Takauji, head of his clan and founder of the Muromachi shogunate who lived most of his life on the battlefield.

  • Thumbnail for Sakuma Shogen
    Sakuma Shogen

    Depiction of Sakuma Shogen Sanekatsu (1570-1642) sitting in front of a bamboo screen facing his boy attendant. A warrior who first served Toyotomi Hideyoshi (1537-1598), Sakuma then seved three successive generations of Tokugawa shoguns: Ieyasu, Hidetada, and Iemitsu.

  • Thumbnail for Ema
    Ema by Motonobu, Kano

    This painting by Kano Motonobu (1476-1559) shows a spirited steed, restrained by two lines leading from its bridle to stakes in the foreground.

  • Thumbnail for Maple Tree and Autumn Plants, Right half
    Maple Tree and Autumn Plants, Right half

    The ambiance in the maple composition is elegantly theatrical with its profusion of colors and diversity of flora, but with the distinctive admixture and reflection evoked by autumn. The flowers below, fragrant olive, cockscomb, bush clover, and chrysanthemum, complement the coloristic array of high autumn created by the individual maple leaves, some still green, some already a rich crimson, and some a desiccated yellow. The screen, with its massive trunk (85 cm across) and gnarled branches, set against a shimmering background of gold, clearly reveals Eitoku's influence in its preoccupation with dramatic visual impact and assertive brushwork. See also the left half.

  • Thumbnail for Korean monk
    Korean monk

    This is a juxtapose of old and new, fast and slow. This is how one may look at Korea by seeing that there is a modern time and a historical time. Seoul, South Korea

  • Thumbnail for Shrimp
    Shrimp by Qi Baishi, 1863-1957

    This artist has been called the "Picasso of China." Known for his simple compositions, economy of brush strokes, and bold contrasting colors.

  • Thumbnail for Eagle on Plum
    Eagle on Plum by Chang Xuchi, 1899-1956

    This powerful image of an eagle on a branch was painted in Boston as a demonstration piece in 1943 during the artist's American tour.

  • Thumbnail for Viewing a painting
    Viewing a painting by attributed to Chen Hongshou, 1598-1652

    Two scholars in a garden examine a scroll painting.

  • Thumbnail for Ancestor (female)
    Ancestor (female) by anonymous

    Anonymous female ancestor portrait.

  • Thumbnail for Lotus, characters
    Lotus, characters by Wu Shouxian

    Chinese hanging scroll with vertically-oriented painting; black ink and trace of red on paper; image area 31 cm x 132.4 cm; brocade frame, flush roller with brocade ends; lotus represents purity, perfection, summer, and the flower carried by Ho Hsien-Ku, the eighth of the eight immortals revered in Buddhist worship; calligraphy, one seal by the artist.

  • Thumbnail for Lotus, full view
    Lotus, full view by Wu Shouxian

    Chinese hanging scroll with vertically-oriented painting; black ink and trace of red on paper; image area 31 cm x 132.4 cm; brocade frame, flush roller with brocade ends; lotus represents purity, perfection, summer, and the flower carried by Ho Hsien-Ku, the eighth of the eight immortals revered in Buddhist worship; calligraphy, one seal by the artist.

  • Thumbnail for Pipa Song
    Pipa Song by Jiang Yun

    Horizontal Chinese painting; ink and colors on paper; 38.8 cm x 24.3 cm; lady and lute on covered barge, only mast and lanterns of another barge are visible, with willow, pine, and blossoming trees. Jiang Yun’s painting was a token of friendship, responding to a friend’s request. The subject is based on the famous Tang era poem, Lyrics of the Pipa (Lute) by Bai Juyi (772-846 C.E.).

  • Thumbnail for Portrait, full view
    Portrait, full view by Unknown

    19th century portrait depicting a subject seated in a garden by a stream, chrysanthemum in a vase and a pine tree. The chrysanthemum in the vase symbolizes autumn while the pine tree represents longevity. The image area is 67cm x 130.5 cm and was made using Chinese ink and colors on paper in a silk mounting. The subject and artiistic style are reminiscent of the famous artist, Ren Xiong (1820-1864). Ren Xiong and his family members were successful commercial painters in Shanghai and nearby regions and skilled in many subjects, including portraiture.

  • Thumbnail for Ken Tenju hanging scroll, picture view
    Ken Tenju hanging scroll, picture view by Tenju, Ken

    Japanese Edo period hanging scroll with vertically-oriented painting and a brown brocade mounting. The image area is 28 cm x 187 cm and depicts the landscape of a Nanga school with the scene of a mountain and hut to the left, a river to the right, a bridge in the foreground, and an inscription to the upper right.

  • Thumbnail for Landscape
    Landscape by Pu Ju

    Vertical landscape done in the blue and green style, with small pavilion on a rocky outcropping above man in small boat below. Four line inscription links the foreground imagery with that of the far distance. Three seals placed at varying points on the painting.

  • Thumbnail for Pair of Japanese landscapes
    Pair of Japanese landscapes by Tani Bunchô (1763-1840)

    27 ½" x 74". The brushstroke’s ability to balance the creation of “space†(kukan) with the needs of “spacing†(kuhaku) is clear in the trees in the Union College Bunchô Scrolls, where there is an acceptable image of foliage, but on closer inspection, the leaves are seen to be as carefully separated as the tarashikomi plants in the Union College Tosa Screens. In addition, the Union College Bunchô Scrolls show many brushstrokes in which both sides of the line are used to render forms. We see such “double edged brushstrokes†in the contours of the mountains, where the smooth run of the top of a line creates the overall rounded form of a peak, but the bottom has a series of bumps that render boulders within. Similarly, a single stroke suffices to create the branch of a tree, but because the two sides of the resulting line are different, the limb thins and has knobs and twists. When Ukiyo-e cutters carved such “double-edged brushstrokes†into the block, they had to cut the two sides of each line separately anyway, so it was easy to reproduce their differing movements.

  • Thumbnail for Sumi-e (ink painting) and gold-leaf landscape
    Sumi-e (ink painting) and gold-leaf landscape by Insho Domoto (1891-1975)

    2’6â€x 2’9,†framed. Signed “Insho†and sealed.

  • Thumbnail for Scholars' Occupations
    Scholars' Occupations by Gu Luo (1763-?)

    This colorful and pleasant image of scholars in a garden is a standard subject. It shows scholars playing chess, examining painting or calligraphy, playing the zithers. Servant boys bring books behind. It is an idealized image, set in springtime, and would have been appealing to scholars and to those who shared scholarly, cultural values. 12 5/8 x 106 5/8 inches. Ink and colors on paper.