Colorado College Logo

  DigitalCC

Use AND (in capitals) to search multiple keywords.
Example: harmonica AND cobos

332 hits

  • Thumbnail for Thorp Collection 127, Buddha - Tatang.
    Thorp Collection 127, Buddha - Tatang.

    This image and all others identified as ecasia000072 through ecasia000278, are scans of images from the James Thorp Collection, Earlham College. An explanation and description of the collection and its origin are included in the description of image I.D. ecasia000072, "Altar of Heaven at night, Beijing," the first Thorp image presented in this project collection.

  • Thumbnail for Poem and Cypress Trees
    Poem and Cypress Trees by Konoe Nobutada and Hasegawa Tohaku

    Among Konoe Nobutada's masterpieces is this six-panel screen that includes a waka poem - energetically inscribed in oversized kana - surrounding a sensitively brushed ink painting of a cypress grove. Recent scholarship has attributed the painting to Hasegawa Tohaku, based on a stylistic comparison to the brushwork and artistic expression of his famous Pines in Mist. - John T Carpenter

  • Thumbnail for Crane Scroll, Part 1
    Crane Scroll, Part 1 by Sotatsu, Tawaraya , Koetsu, Hon'ami

    The scroll, almost fifteen meters long, was designed to be viewed section by section. Delicate silver cranes dance across a golden shore, gliding through clouds of gold, sometimes in graceful formation, other times frolicking. The lavish gold and silver under painting, attributed to Tawaraya Sotatsu, captures the eye first, however it was not intended to be viewed as a self-sustaining composition, but rather as a background to highlight the darlky inked strokes created by the calligrapher's brush. Boldly inscribed by Hon'ami Koetsu in his distinctive calligraphic style, the texts include famous court verses, one by each of the Thirty-six Immortal Poets 0 famous poets of ancient Japan. - from text by John Carpenter.

  • Thumbnail for Fan painting of the gods of wealth and long life
    Fan painting of the gods of wealth and long life

    A New Years Haiku. Text: "Shaved up and ready (Sori-tatete)/ Pines by the door and breezes, (kadomatsu kaze-ya)/ Happiness, Wealth, Long Life (Fukurokuju). [Signed] Buson [seal]"

  • Thumbnail for Character 'Kuan' or 'Guan'
    Character 'Kuan' or 'Guan'

    Five calligraphic renderings of the character, 'kuan/guan,' meaning 'to look at, see or behold'. Guide to each character: a. Wang Hsi-chih, 'Essay on Yueh I' b. Chih-yung, 'The Thousand Character Essay (detail)', late 6th century. From 'Shoseki meihin sokan 6,' no. 69; p. 22. c. Ou-yang Hsun, 'Inscription on the Sweet Wine Spring in the Chiu-cheng Palace, 632.' d. Li Yung (678-747 AD) 'Epitaph for the Yun-hui general, Li Ssu-hsun,' after 739. e. Yen Chen-ch'ing, 'Record of the Altar of the Goddess Ma-ku' ; 771 AD

  • Thumbnail for Essay on Yueh I, Detail
    Essay on Yueh I, Detail by Yu Ho

    Detail from Yu Ho's essay on Yueh I. The text discusses the virtuous conduct of Yueh I, a general of the Warring States period who defected from the state of Yen, which he had served loyally, after losing the confidence of his ruler.

  • Thumbnail for Mi
    Mi

    Graphic of the hiragana character "mi."

  • Thumbnail for Kana progression chart
    Kana progression chart

    Progression chart showing the evolution of kana from characters.

  • Thumbnail for Xue Tao image
    Xue Tao image

    Rubbing from carving of the Tang poetess Xue Tao. From Chengdu in Sichuan Provence. Includes an accompanying stone inscription dated to the "29th year of Guangxu", or 1904.

  • Thumbnail for Seal
    Seal

    Bottom of seal with example of calligraphic seal script, commonly used for seals in China.

  • Thumbnail for Shrimp
    Shrimp by Qi Baishi, 1863-1957

    This artist has been called the "Picasso of China." Known for his simple compositions, economy of brush strokes, and bold contrasting colors.

  • Thumbnail for Landscape
    Landscape by Chang Ting, 1917-

    The artist studied abroad in Italy and France in 1954 but during the Cultural Revolution he was restricted to the countryside without any painting supplies. His paintings often incorporate elements of Chinese folk art.

  • Thumbnail for Orchids and Rocks, full view
    Orchids and Rocks, full view by Wu Shouxian

    Chinese hanging scroll with vertically-oriented painting; black ink and tan on paper; image area 31 cm x 132.8 cm; brocade frame, flush roller with brocade ends; orchids adorn rock face; calligraphy, three seals.

  • Thumbnail for Ken Tenju hanging scroll, 2 seals
    Ken Tenju hanging scroll, 2 seals by Tenju, Ken

    Japanese Edo period hanging scroll with vertically-oriented painting and a brown brocade mounting. The image area is 28 cm x 187 cm and depicts the landscape of a Nanga school with the scene of a mountain and hut to the left, a river to the right, a bridge in the foreground, and an inscription to the upper right.

  • Thumbnail for Landscapes and Figures, scholar
    Landscapes and Figures, scholar by Ren Xun

    Finely detailed Chinese painting of a scholar figure by a gnarled tree on the riverbank. The image area is 23.2 cm x 21 cm. The painting is a part of a set of four related paintings by Ren Xun. Ren Xun was the younger brother of Ren Xiong (1820-1864) and his family members were successful commercial painters in Shanghai and nearby regions and skilled in many subjects, including portraiture.

  • Thumbnail for Chrysanthemums and Birds by Rock
    Chrysanthemums and Birds by Rock by Zhang, Gun

    Chinese hanging scroll with vertically-oriented painting and a bronze-colored brocade silk mounting. The image is 33 cm x 120 cm and has dry, lively brush strokes illustrating an autumn scene of flowering chrysanthemum emerging from a deeply worn rock with two birds ""fighting' while a third bird perches above.

  • Thumbnail for Ken Tenju hanging scroll, view of characters
    Ken Tenju hanging scroll, view of characters by Tenju, Ken

    Japanese Edo period hanging scroll with vertically-oriented painting and a brown brocade mounting. The image area is 28 cm x 187 cm and depicts the landscape of a Nanga school with the scene of a mountain and hut to the left, a river to the right, a bridge in the foreground, and an inscription to the upper right.

  • Thumbnail for Landscape - detail of frontispiece
    Landscape - detail of frontispiece by attrib. Wang Hui (1632-1717)

    The Wang Hui attribution is probably spurious. The painting is, however, a good example of orthodox landscape in the late imperial period. 67 7/8" x 12 7/8". Ink and colors on satin. Very much darkened with some in-painting. To see the painting, click on related record below.

  • Thumbnail for Mountain Scene - full view
    Mountain Scene - full view

    Hanging scroll; ink on paper. Dimensions: 56 x 16 1/4 in. Condition of this work is excellent.

  • Thumbnail for Men Talking - closeup of signature
    Men Talking - closeup of signature

    Hanging scroll; ink and color on paper. Dimensions: 31 1/4 x 21 in.Condition is excellent with rollers missing on scroll.

  • Thumbnail for Fan painting - Lioness and Cub
    Fan painting - Lioness and Cub by Liu Deliu (1806-1875)

    A lioness walking from right to left, takes up most of the space in the fan. Her cub, facing the opposite direction, looks up at her as the mother's left forepaw rests on his back. Deliu was from Wujiang in Jiangsu province and was known as a specialist in painting plants and animals. He was a student of Xia Zhiding (1782-1827), a painter of similar subjects, but Xia was not well-known enough to have been mentioned in the modern literature. Deliu is said to have been the teacher of Lu Hui (another of the "Nine Friends"), but in this case the student far exceeded the teacher in both technical skill and production. At any rate, Deliu was already 45 when Lu Hui was born, and Lu Hui was just 24 when Deliu died, so the relation could not have been long-lived. Deliu was a "…highly refined individual-whose Red Pear Blossom Studio was known for its bright and sparkling interior, with a fine library and brushes and inkstones of the best quality." Although Brown praises Deliu's work, the relationship between Lu Hui and Deliu may have been more of patronage than teacher-student. He is one of the many artists in the collection that merit further study. A rather droll and amusing lioness, walking from right to left, takes up most of the space in the fan. Her cub, facing the opposite direction, looks up at her as the mother's left forepaw rests protectively on his back. The faces of the lions look more like dogs than lions, and other curious aspects of the anatomy-the long tails with pom-poms at the end and the elongated feet-make one wonder if Deliu had ever seen an actual lion. The statement in the inscription says that he was working in the style of Xinlo Shanren, or Hua Yan (1682-1765), a famous artist of the early Qing who specialized in figures and animals. The somewhat awkward rendering of the animal is mirrored in a painting of a fish in the collection of the Denver Museum of Art. One is tempted to see in the fish the same bemused expression worn by the lioness. The fish seems to float over, not in, the water, as does his companion, a frog.

  • Thumbnail for Man Pointing (Kanzan) - full view
    Man Pointing (Kanzan) - full view

    Hanging scroll; ink and color on paper. Dimensions: 11 1/2 x 51 in. Condition is excellent. Represents the Chinese poet Han Shan (Japanese: Kanzan), and is a pair with 'Man with Broom at Feet', which represents Shide (Japanese: Jittoku).

  • Thumbnail for Fisherman, Rock, and Trees - closer view of signature and seal impression
    Fisherman, Rock, and Trees - closer view of signature and seal impression

    Hanging scroll; ink on paper. Dimensions: 12 3/4 x 41 1/4 in.Some discoloration.

  • Thumbnail for Mountain Scene - detail of image
    Mountain Scene - detail of image

    Hanging scroll; ink on paper. Dimensions: 56 x 16 1/4 in. Condition of this work is excellent.

  • Thumbnail for Fan painting - Calligraphy - detail of script
    Fan painting - Calligraphy - detail of script by Zhang Zao, The Lady Lang Fang

    55 lines of tiny regular script, alternating between lines with 16 characters and lines with 6 characters, altogether 610 characters, followed by a line with dedication and signature in even smaller characters. A standard source mentions a woman artist named Zhang Zao, with the pen name Lanfang, who was the wife of a man named Shen. No dates are given for her, and the two possible dates given above within the repeating 60 year cycle are in keeping with the majority of fans in this collection that date from the nineteenth century. An attribution such as this must remain tentative until additional examples of the person's work can be located. Although a number of women artists achieved some level of fame in the Qing dynasty, most were known only through the name of the man they served or to whom they were married. One can only marvel at the extraordinary levels of skill and concentration to which these hundreds of tiny characters attest. One mistake and one had to begin again. At the same time, they are far removed from qualities like freedom and expressiveness, and suggest other skills such as embroidery and weaving for which many women were famous. To be capable of such work, the woman must have had a long period of training in calligraphy, and was most probably very literate, as suggested by the meaning of her name Zao (accomplished in literature). It would be useful to find out more about her.