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Browsing 499 results for facet Temporal (Time) with value of China - Qing Dynasty 1644 - 1911.
  • Thumbnail for Jade Bok Choy
    Jade Bok Choy

    A carved jade bok choy (cabbage) in white and green jade.

  • Thumbnail for Two children
    Two children

    Colorized postcard, dated October 10, 1908, with English script at bottom of two children in traditional dress in San Francisco's Chinatown. Inscription reads: "10/10/08 Hey Billy, which is the boy and which is the girl? Guess and I will send it to you --Y.E. (?)" Printed red text along bottom reads: "No. 16, San Francisco, California. Chinese Aristocrats. Reduced to poverty by earthquake and fire. April 18, 1906."

  • Thumbnail for Boxers United in Righteousness Member, 1900
    Boxers United in Righteousness Member, 1900

    A member of the Boxers United in Righteousness, waving his flag, circa 1900.

  • Thumbnail for Cloissone bowl - interior view
    Cloissone bowl - interior view

    Interior of bowl shows attention to detail and close observation of an actual lotus. The cloissone artist may have been working from a painting of a lotus given the multiple perspectives represented here.

  • Thumbnail for Teapot with landscape image - front
    Teapot with landscape image - front

    Larger teapot with white glaze and painted landscape scenery of mountains in the distance, pavilion in the foreground.

  • Thumbnail for Yixing teapot
    Yixing teapot

    Partaially glazed earthenware teapot.

  • Thumbnail for Dish with red bat motif - bottom view
    Dish with red bat motif - bottom view

    Bottom view shows hollow pedestal foot of the dish.

  • Thumbnail for Water dropper - bottom
    Water dropper - bottom

    Image of bottom of ink stone water dropper showing Daoguang reignmark painted under translucent glaze.

  • Thumbnail for Woman's red apron
    Woman's red apron

    Apron worn on the front of a woman's robe. Not an 'apron' in the Western cooking sense, but rather a final garment piece that is worn like an apron. Symbols represented are the eight auspicious symbols.

  • Thumbnail for Small Purse
    Small Purse

    Embroidered purse of about 3 inches square sowing images of butterflies and peonies. Given the subject matter of the images, it was probably used by a woman.

  • Thumbnail for Mandarin square
    Mandarin square

    Embroidered square patch worn on front of mandarin civil servant garment to denote rank of wearer.

  • Thumbnail for Embroidered baby hat
    Embroidered baby hat

    Hat put on infant or young child in order to protect it from evil spirits.

  • Thumbnail for Shallow porcelain saucer dish
    Shallow porcelain saucer dish

    This doucai enameled dish is decorated with maidens in a terrace garden scene within a border of pine, prunus and bamboo, the “three friends of winterâ€. These plants are emblematic of longevity, as each hearty growth survives the cold, harsh winter months. The dish is inscribed on the base with an apocryphal Ming Dynasty Zhenghua (1465-1487) reign mark, but the decoration, enamel technique and subject matter are clearly 18th century. Width 8 inches; height 1 5/8 inches.

  • Thumbnail for Bronze rice measure - side view
    Bronze rice measure - side view

    This rectangular tapering vessel is an example of the everyday, utilitarian objects that were fashioned in mold cast bronze in the 18th century. The decoration, which incorporates neatly finished human figures in genre scenes along with typical decorative border embellishments, no doubt was fashioned for use in an important household, rather than for use in a less grand setting. 3 3/4in. high, 5 1/2in wide.

  • Thumbnail for Xu Diao, Ferret and Mellon, view of roller
    Xu Diao, Ferret and Mellon, view of roller by Zhao, Zhiqian

    Chinese hanging scroll with vertically-oriented painting depicting a ferret or porcupine nibbling a melon. The image area is 40 cm x 108 cm and was made with black and grey ink on silk and mounted with a brocade frame on a paper mount with teak roller. Zhao, well-known for his calligraphy and seal carving, is one of the most important Qing painters. His style synthesized the styles of Xu Wei ((1521-1593), shi Tao (or Dao Ji, among the “Four Monks of the Ming†1630 – unknown), and Li Shan (1686-unknown). This painting reflects one of Zhao’s later interests in zoology and marine creatures, in addition to his whimsical commentary on the ferret chewing the melon.

  • Thumbnail for Chrysanthemums and Birds by Rock
    Chrysanthemums and Birds by Rock by Zhang, Gun

    Chinese hanging scroll with vertically-oriented painting and a bronze-colored brocade silk mounting. The image is 33 cm x 120 cm and has dry, lively brush strokes illustrating an autumn scene of flowering chrysanthemum emerging from a deeply worn rock with two birds 'fighting' while a third bird perches above.

  • Thumbnail for Bronze rice measure
    Bronze rice measure

    This rectangular tapering vessel is an example of the everyday, utilitarian objects that were fashioned in mold cast bronze in the 18th century. The decoration, which incorporates neatly finished human figures in genre scenes along with typical decorative border embellishments, no doubt was fashioned for use in an important household, rather than for use in a less grand setting. 3 3/4in. high, 5 1/2in wide.

  • Thumbnail for Bronze oviform vase and hexagonal stand - bottom view
    Bronze oviform vase and hexagonal stand - bottom view

    This solidly cast, evenly patinated simple form recalls the subtlety of Song Dynasty ceramics, themselves, a revival of delicate archaic forms seen in ancient bronzes and pottery. This shape also is seen in varying forms in Ming and Qing Dynasty Imperial porcelains and the attached openwork fret-pattern hexagonal stand is a common early Qing embellishment found in both bronze vessels and porcelain.

  • Thumbnail for Gilt bronze pin
    Gilt bronze pin

    This intricate and beautifully detailed applique comprising three overlapping circular dragon discs could have been an adornment on a court or military dress or perhaps an attachment for a horse trapping. 1 inch high by 3 inches wide.

  • Thumbnail for Imperial bronze bell
    Imperial bronze bell

    This bell is dated by the inscription in a cartouche as having been made in the 50th year of the reign of Emperor Kangxi, i.e. 1711. The bell was evidently meant to be part of a larger set of bells, thus it represents a continuation of the ancient practice of producing sets of bells that were suspended from a rack. Each bell was specifically manufactured to produce a particular note in the Chinese musical scale. The inscription on the opposite side of the bell has three characters indicating which musical note the bell produces when struck. In addition, this bell is an excellent example of superior quality, imperial level bronze casting.

  • Thumbnail for Pair of platform shoes worn by Manchu women
    Pair of platform shoes worn by Manchu women

    Shoes for bound feet of Chinese women contrast with the “platform†shoes worn by Manchu women, who did not bind their feet. These platform shoes, it is said, enabled Manchu women to imitate the seductive sway of Chinese women with bound feet. The decoration on these shoes is appliqué, not embroidery.

  • Thumbnail for Rank badge (part of set)
    Rank badge (part of set)

    These late nineteenth century rank badges were for use by holders of civil office (as opposed to military office). Civil officials of the second rank were entitled to wear a badge depicting a golden pheasant; officials of the fifth rank used the emblem of a silver pheasant. The bird emblems are surrounded by auspicious images. These rank badges could be elaborately produced, utilizing a range of embroidery stitches, metallic thread, kesi tapestry weaving technique and appliquéd motifs. There are two golden pheasant rank badges in this set (although they have been photographed as one, apparently the photographer was unaware that there was a second identical badge below the top one); the one on the bottom is split up the center for attachment to the front of the garment.

  • Thumbnail for Tiger claw
    Tiger claw

    Mounted in gold filigree setting depicting a Naga or dragon. The records indicate that this is a piece of ""Royal Javanese"" jewelry. It is a very finely crafted work. The exquisitely delicate gold-work contrasts with the bold, organic simplicity of the tiger's claw to make a striking visual impression. Qing dynasty Chinese product, or a Javanese version of a Chinese piece done by a Chinese jeweler living in Java.

  • Thumbnail for Chinese silk painting of peonies in a garden
    Chinese silk painting of peonies in a garden

    38 1/2 x 17 1/8 ink and color on silk textile of peonies in a garden. These appear to be a pair of fine Chinese bird and flower paintings cut from their original mounts and provided with matching frames.

  • Thumbnail for Red shoes for bound feet (side and bottom)
    Red shoes for bound feet (side and bottom)

    Pair of embroidered shoes for bound feet of Chinese women: would appear to come from South China.