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46 hits

  • Thumbnail for Leather shadow puppet
    Leather shadow puppet

    An unidentified male hero. The only iconographic clue to his specific identity is his dark color, which suggests that this may have served as an image of Kresna (Krishna) in the Mahabharata epic.

  • Thumbnail for Leather shadow puppet
    Leather shadow puppet

    An unidentified male hero. The only iconographic clue to his specific identity is his light color, which suggests that this may have served as an image of Lakshman, brother of Rama, in the Ramayana epic.

  • Thumbnail for Leather shadow puppet
    Leather shadow puppet

    Hanuman, the leader of the monkey army and loyal servant of Rama. This specific image of Hanuman would be used only once in the Wayang Kulit Ramayana performance to represent the episode in which Hanuman flies to Lanka bearing the healing herbs that will enable the distressed monkey army to rally and turn the tide in their epic struggle with the demon army.

  • Thumbnail for Leather shadow puppet
    Leather shadow puppet

    Tantric sorcery image for use in Wayang Kulit performance. Images of disarticulated body parts are used as talismans in occult Balinese ritual. This would be used in a narrative passage to indicate the casting of a spell by one of the major characters in the story.

  • Thumbnail for One of four puppets
    One of four puppets

    Four unidentified Wayang Golek puppets. Two are male, one is female.

  • Thumbnail for Commercial weights of bronze alloy
    Commercial weights of bronze alloy

    Initially identified as ancient ""Siamese"" stone weights. They are obviously not stone but metal. Subject matter and style suggest that they may have come from South India or Sri Lanka. Analogous temple carving style make dating difficult. One is a hamsa (celestial bird), the other represents a composite creature commonly called a yali. The yali is much more worn than the hamsa, suggesting greater age. They are in a simple yet refined style, adding an aesthetic touch to routine commercial transactions dependent upon standardized measures. They do not appear to be from the same set, but from the same tradition and system. It would be interesting to compare the weights of the two. The strong, abstract modeling of these items, especially of the yali, are likely to appeal to modern sculptural tastes.

  • Thumbnail for Four puppets
    Four puppets

    Four unidentified Wayang Golek puppets. Two are male, one is female.

  • Thumbnail for Silver box
    Silver box

    Said to be a Burmese silver box in the shape of a mangosteen. Similar in manufacture to the Sri Lankan silver boxes in the collection.

  • Thumbnail for Leather shadow puppet
    Leather shadow puppet

    The monkey king Subali from the Ramayana epic.

  • Thumbnail for Bronze bowl
    Bronze bowl

    Signs of the zodiac. This is a vessel for sacred liquids prepared and used in Hindu Tantric ritual. In the interior bottom is a strange, quasi-anthropomorphic (phallic?) figure. It appears to have a Kadiri inscription of 4 characters above the sign for Sagittarius. Mummy-like anthropomorphs are repeated above the zodiac, interspersed with figures in the so-called East Javanese Wayang style. This is a very old and significant ritual object. The figures on the surface are ancestral to the Wayang Kulit puppets in the Dickinson collection. At one time it would have had a lid. An almost identical piece, with lid, is published among the national treasures of Indonesia's National Museum in Art of Indonesia: Pusaka, H. Soebadio (ed), 1992, page 114).

  • Thumbnail for Architectural sculpture (post support)
  • Thumbnail for Silver box
    Silver box

    Design of the lotus and sacred "swans" (hamas) based on carved moonstones located at the entrances of ancient Buddhist monuments in Sri Lanka. Swans are organized in the direction of ritual circumambulation around the central lotus. Possibly made for retail sale.

  • Thumbnail for Leather shadow puppet
    Leather shadow puppet

    The monkey king Sugriva from the Ramayana epic

  • Thumbnail for Leather shadow puppet
    Leather shadow puppet

    A demon attacked by a monkey warrior. To be used in a Wayang Kulit performance of the Ramayana.

  • Thumbnail for Chinese god of longevity (Ch’ien Lung)
  • Thumbnail for Carved & gilded naga
    Carved & gilded naga

    Said to be the “arm†of a musical instrument.

  • Thumbnail for Balinese carvings of entwined nagas
    Balinese carvings of entwined nagas

    Probably supports for musical instruments.

  • Thumbnail for Leather shadow puppet
    Leather shadow puppet

    Twalen, one of the Balinese Wayang Kulit clowns.

  • Thumbnail for Leather shadow puppet
    Leather shadow puppet

    Unidentified heroine.

  • Thumbnail for Lacquer bowl
    Lacquer bowl

    Carved into form of a lotus and painted with dark gold floral patterns on a black ground The interior is red and the edges of the lotus leaves and interstitial leaves are gilded. Probably a container for religious offerings. Modern Burma is noted for its lacquer ware tradition.

  • Thumbnail for Leather shadow puppet
    Leather shadow puppet

    Monkey warriors to be used in shadow puppet (Wayang Kulit) performances of the Ramayana epic.

  • Thumbnail for One of four puppets
    One of four puppets

    Four unidentified Wayang Golek puppets. Two are male, one is female.

  • Thumbnail for Leather shadow puppet
    Leather shadow puppet

    Merdah, one of the Balinese Wayang Kulit clowns.

  • Thumbnail for Balinese male figure
    Balinese male figure

    Part of a set;These are small statues known as pretima or pratima in Bali that likely date to the mid-twentieth century. Such objects are preserved in small temple shrines and taken out in procession on festival occasions. Their specific identities are iconographically unmarked. They are known only through context, community memory and ritual use. On occasions of temple renovation a Brahmana priest sometimes ritually repaints pretima. The male figure appears to have been repainted in this way and the female figure has not. This explains its relatively crude painting by contrast to the more refined painting on the female figure, which would have been done by an artisan at the time of its production.

  • Thumbnail for Tudi gong
    Tudi gong

    Tudi gong. Chinese household deity. Image used in traditional Chinese household rituals.