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32 hits

  • Thumbnail for Hommonji Temple in Snow
    Hommonji Temple in Snow by Kawase Hasui (1883-1957)

    Color woodblock, 15 1/4 X 10 1/2 inches. Print by one of the leading artists of the Shin Hanga print movement. The depiction of the landscape from a sharp angle in this print reflects the influence of traditional Japanese woodblock prints in the Edo period. Published by S. Watanabe Color Print, with signature of Hasui and stamp in red in lower right corner.

  • Thumbnail for 53 Stations of the Tokaido: Kanagawa, Station 4
    53 Stations of the Tokaido: Kanagawa, Station 4 by Ando Hiroshige (1797 - 1858)

    Color woodblock, 7 X 9 1/4 inches, ink and color on paper. Hiroshige presents a nice ocean view of Kanagawa with travelers taking a break in a rustic tea house by the blue water.

  • Thumbnail for Plate with Chinese motif of woman in a garden
    Plate with Chinese motif of woman in a garden

    9 3/4" X 9 3/4" X 1 1/2" Most likely made in Japan in the Arita manner. Depicts woman looking over a veranda railing at garden stone, flower, and butterfly.

  • Thumbnail for Chinese Goddess Figure
    Chinese Goddess Figure

    Blanc-de-chine porcelain 5 1/2 X 2 1/2 X 2 inches, with bluish tinge. Seated figure of deity, most likely Guanyin.

  • Thumbnail for Nepal Prayer Flag
    Nepal Prayer Flag

    Entire work, 24 inch square, Image is 20 X 13 inches, printed on cotton.

  • Thumbnail for 53 Stations of the Tokaido - Yokkaichi, Station 44
    53 Stations of the Tokaido - Yokkaichi, Station 44 by Ando Hiroshige (1797 - 1858)

    Color woodblock, 7 X 9 1/4 inches, ink and color on paper. People walking over bridge with grass to the thriving market town and port facing the Ise Bay. Yokkaichi means 'market on the fourth day'. Hiroshige presents the city from a sharp angle from the left; the bridge was one of a series of narrow bridges built over the river and low land close to the seashore to allow access to the market.

  • Thumbnail for Evening at Kintaikyo Bridge, in Spring
    Evening at Kintaikyo Bridge, in Spring by Kawase Hasui

    Color woodblock, 15 1/4 X 10 1/2 inches, ink and color on paper. Shin Hanga print showing one of the 'Three Bridges of Japan'. Built in the late 17th century by Lord Hiroyoshi Kikkawa to solve the transportation problem when the Nishiki River flooded. Hasui presents the five arch bridge and its surroundings in a lyric manner, looking through pink cherry blossoms at a pebbled bank with a man maneuvering his boat beneath the bridge.

  • Thumbnail for 53 Stations of the Tokaido - Goyu, Station 36
    53 Stations of the Tokaido - Goyu, Station 36 by Ando Hiroshige (1797 - 1858)

    Color woodblock, 7 X 9 1/4 inches, ink and color on paper. Bare-chested porters walking over bridge in the post town of Goyu, carrying heavy goods for on poles.

  • Thumbnail for Portrait of a Boxer Supporter
    Portrait of a Boxer Supporter

    28 1/8" x 18 15/16 inches, ink and colors on paper. Formal family portrait of a supporter of the Boxer rebellion. Signed 'Charles F. Gammon 1900'.

  • Thumbnail for View of the Earth
    View of the Earth

    Colored ink and paint on paper, 12 3/4 inch circle with interior concentric circles of varying colors. Mandala-type image with central image made of tripartite grouping of images in a palatial setting.

  • Thumbnail for Chinese Goddess Figure, Machopo (a deified lady)
    Chinese Goddess Figure, Machopo (a deified lady)

    Porcelain 5 1/2 X 2 1/2 X 2 inches in size.

  • Thumbnail for 53 Stations of the Tokaido: Sanjo-ohashi, Station 55
    53 Stations of the Tokaido: Sanjo-ohashi, Station 55 by Ando Hiroshige (1797 - 1858)

    Color woodblock, 7 X 9 1/4 inches, ink and color on paper. Central bridge,busy with travelers and pilgrims, diminishing at vanishing point with grey mountains in the distance. Sanjo-ohashi Bridge in Kyoto was located on the Kamo River and one of the major landmarks in Kyoto. Hiroshige skillfully uses one point perspective to lead the eye of the viewer gradually to the other endof the bridge, past the rooftops of Kyoto to Higashiyama Mountain range in the far distance.

  • Thumbnail for Musicians on Horseback (1 of 2) - profile view
    Musicians on Horseback (1 of 2) - profile view

    13 1/2 X 2 3/4 X 6 inches. Glazed pottery tomb figure of musician on horseback.

  • Thumbnail for Musicians on Horseback (2 of 2) - profile view
    Musicians on Horseback (2 of 2) - profile view

    13 1/2 X 2 3/4 X 6 inches. Glazed pottery tomb figure of musician on horseback.

  • Thumbnail for Musicians on Horseback
    Musicians on Horseback

    13 1/2 X 2 3/4 X 6 inches, glazed clay funerary figures. Given the attire they are wearing, most likely dating from the Ming dynasty.

  • Thumbnail for 53 Stations of the Tokaido: Seki, Station 48
    53 Stations of the Tokaido: Seki, Station 48 by Ando Hiroshige (1797 - 1858)

    Color woodblock, 7 X 9 1/4 inches, ink and color on paper. Seki means 'checkpoint', and checkpoints were set up at strategic locations by the Tokugawa government to control traveling, police the road and prevent any unlawful activities. Hiroshige illustrates the arrival of a high ranking official accompanied by his entourage at Seki.

  • Thumbnail for 53 Stations of the Tokaido: Hakone - Station 11
    53 Stations of the Tokaido: Hakone - Station 11 by Ando Hiroshige (1797 - 1858)

    Color woodblock, 7 X 9 1/4 inches, ink and color on paper. Burning pink flames between grey mountains as porters travel along the narrow and steep mountain pass at Hakone, near Lake Ashinoko. Hiroshige captured the moment when porters struggle to carry their feudal retainers in sedan chairs as darkness nears.

  • Thumbnail for 53 Stations of the Tokaido: Odawara, Station 10
    53 Stations of the Tokaido: Odawara, Station 10 by Ando Hiroshige (1797 - 1858)

    Color woodblock, 7 X 9 1/4 inches, ink and color on paper. Odawara was a post town facing Sagami Bay. It is said that travelers on the Tokaido often stayed in Odawara for the night to rest in order to prepare for climbing the deadly Hakone pass the next day.l

  • Thumbnail for Nezu Shrine in Snow
    Nezu Shrine in Snow by Kawase Hasui

    Color woodblock, 15 1/4 X 10 1/2 inches, ink and color on paper. Shin Hanga print by Kawase Hasui of the early 18th century Nezu Shrine. Captured on a snowy day, Hasui creates a photographic effect showing the entrance in a cropped view. Architectural features are sharply detailed against the white background; the marshy walkway coming in from the right leads the viewer's eye into the print.

  • Thumbnail for 53 stations of the Tokaido: Yoshida - Station 35
    53 stations of the Tokaido: Yoshida - Station 35 by Ando Hiroshige (1797 - 1858)

    Color woodblock, 7 X 9 1/4 inches, ink and color on paper. People passing over a bridge with heavy loads and one woman on a horse. Large section of water with boats in front of the city of Yoshida, high rising buildings in the distance.

  • Thumbnail for 53 Stations of the Tokaido: Kakegawa, Station 27
    53 Stations of the Tokaido: Kakegawa, Station 27 by Ando Hiroshige (1797 - 1858)

    Color woodblock, 7 X 9 1/4 inches, ink and color on paper. Hiroshige highlights pilgrims, Buddhist monks, and worshipers as they cross the bridge toward the torii entrance to a temple.

  • Thumbnail for The God of Pulior - Ganesha image
    The God of Pulior - Ganesha image

    Roughly carved figure of the Hindu god, Ganesha. Wood, 6 x 3 x 1 1/2 inches, from the Madura Mission.

  • Thumbnail for The Fearing Cup
    The Fearing Cup by Anonymous

    18 x 12 x 12 inches. Silver cup made in Shanghai. The cup is an example of the metalwork of the early 20th century China. Standing on three sculptural lions, the vessel is furnished with six petal-shaped panels; each is decorated with relief narrative scenes, floral designs and carved dragon motifs. The two handles are modeled into flamboyant dragons with their claws attached to the surface of the cup. A raised shield-shaped section on two central panels is carved with inscriptions surrounded by dragons swirling in the cloud. The inscriptions in English read 'Presented to Mr. Henry D. Fearing by the Chinese students, Amherst, Mass., 1906'. The other panel inscribed in traditional Chinese bears the name of the eleven students: Huang Risheng, Lu Baoxian, Rong Xianren, Lian Qian, Cai Guozao, Liang Laikui, Chen Yaorong, Zheng Heng, Rong Jingqing, Liang Wenji and Liang Qingluan. The two narrative panels are executed in the manner of traditional Chinese scenes. One panel shows an elder couple welcoming a young man to their home and the other depicts the young man leaving the residence of the couple with a sense of confidence and accomplishment. The subject is carefully chosen to serve as metaphor of Mr. and Ms. Fearing's generosity to and guidance for the young Chinese students.

  • Thumbnail for Bowl with lotus decoration.
    Bowl with lotus decoration.

    Brass, 4 1/2 X 4 1/2 X 3 1/4 inches. Shaped as an opening lotus on an inverted lotus base. Possibly used within a Buddhist ritual context.

  • Thumbnail for Bowl with lotus decorations - view of interior
    Bowl with lotus decorations - view of interior

    Brass, 4 1/2 X 4 1/2 X 3 1/4 inches. Detail showing wear on interior of bowl.