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  • Thumbnail for 1980 The nugget
    1980 The nugget

    The Colorado College yearbook, published 1900-2007, was known as The Pikes Peak Nugget from 1900-1941 and The Nugget or Colorado College Nugget afterward. Year on cover differs from title page in some years.

  • Thumbnail for #573 from The Spirit of Harmony
    #573 from The Spirit of Harmony by Wang Ming, b. 1922

    Acrylic on rice paper; 22 1/4 x 30 1/4 inches. Part of twelve-section suite of images. Potential topics for discussion that the work of Wang Ming could generate (to mention only a few): abstaction and representation in calligraphy and painting; relationships between the past and the present in contemporary art; the Asian-American experience The suite of works currently in the library is particularly lyrical in its treatment of color and form. For the most part, there is little to signify that these are 'Chinese' paintings, which is part of what makes the inclusion of these in the project so useful. That is, in the transnational (art) world of the early 20th-century, what makes a work or an artist 'Chinese'? On the other hand, the pair of scrolls (untitled in the checklist, but one of these is his Work with Joy, of 1974, which has been exhibited and published) plays off many traditions of Chinese painting, including the lengthy (narrative) handscroll painted on paper and mounted on cloth, even though it is executed in a style growing out of Abstract Expressionism. The mounting of the two scrolls conforms to tradition. Traditionally, such scrolls were kept rolled up, and to be viewed would be 'read' sequentially, unrolling a portion at a time as one viewed the entire work while holding; thus, viewing such a scroll was an intimate encounter with the work. The current display of the scrolls, where they hang, opened, in a tall vertical space, challenges those traditional notions of how such paintings would be viewed.

  • Thumbnail for Adam and Eve
    Adam and Eve by Sadao Watanabe (1913-1996)

    Kappazuri or katazome dyed stencil print, 16/100, 27 x 20 inches. Watanabe is, perhaps, the most famous Christian-Japanese print master to date. Frances Blakemore states that: "Watanabe's works are in collections from South Africa to Australia, from the Philippines to Europe. (Who's who in Modern Japanese Prints, p. 228). Institutions that list examples of his work in their collections include the Museums of Modern Art of Tokyo and New York, the Honolulu Academy of Arts, the British Museum, and the Haifa Museum. Ten of Watanabe's prints are on permanent display in the Vatican Museum of Modern Art. Watanabe also has had shows of his prints in the US, Japan, Brussels, the Netherlands, China, Germany, Denmark, and Indonesia. His work was included into the exhibition of Japanese prints at the Winter Olympics in Sapporo in 1972. Watanabe has won the prizes of the Folk Art Museum, the Japanese Print Association, and other prestigious bodies. He is holder of the coveted prize of the Kokuga sosaku kyokai, the organization that holds the Arts in Spring-Kokuten Exhibition that is such an important event in the world of modern art in Japan.

  • Thumbnail for The Last Supper
    The Last Supper by Sadao Watanabe (1913-1996)

    Kappazuri or katazome dyed stencil print, 11/80, 24 x 28 inches. There are 57 examples of the stencil-prints (kappazuri) of Watanabe Sadao in the Brauer Museum of Art. Watanabe is, perhaps, the most famous Christian-Japanese print master to date. Frances Blakemore states that "Watanabe's works are in collections from South Africa to Australia, from the Philippines to Europe." (Who's who in Modern Japanese Prints, p. 228). 23 institutions list examples of his work in their collections, including the Museums of Modern Art of Tokyo and New York, the Honolulu Academy of Arts, the British Museum, and the Haifa Museum. Ten of Watanabe's prints are on permanent display in the Vatican Museum of Modern Art. Watanabe also has had shows of his prints in the US, Japan, Brussels, the Netherlands, China, Germany, Denmark, and Indonesia. His work was included into the exhibition of Japanese prints at the Winter Olympics in Sapporo in 1972. Watanabe has won the prizes of the Folk Art Museum, the Japanese Print Association, and other prestigious bodies. He is holder of the coveted prize of the Kokuga sosaku kyokai, the organization that holds the Arts in Spring-Kokuten Exhibition that is such an important event in the world of modern art in Japan. The range in date, subject, and size of these prints means that the Watanabe Collection of the Brauer Museum of Art provides excellent coverage of this key Creative Print master, increasing its value for his study.