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7 hits

  • Thumbnail for Fan painting - Monkey in a landscape, with insects
    Fan painting - Monkey in a landscape, with insects by Gu Yun (1835-1896)

    A pair of monkeys on the rock silhouetted against the distant mountains. Even though Gu Yun was a prolific artist, there is no clear explanation as to why there are so many of his works in this collection. This is an unusual subject, and the explanation probably lies in the colophon, not yet translated. Gu Yun's classical training is evident in the foreground rocks and trees. The composition works well, with the pair of monkeys on the rock silhouetted against the distant mountains.

  • Thumbnail for Fan painting - Man reading resting on a rock - detail of calligraphy
    Fan painting - Man reading resting on a rock - detail of calligraphy by Ni Tian (1853-1919)

    A single figure, seated but leaning to the left and with elbows resting on a large rock, reads a book. The large rock takes up the entire center space. Ni Tian is a well-known artist and his work is seen frequently in collections and at auctions. He was one of the "Nine Friends" of Suzhou, and would have known and interacted with all of the famous painters in the south in his day. He began his studies with Wang Su (1794-1797), although there are hints at friction between the two. Some aspects of Ni Tian's character helped label him as "greasy and flippant," and his long-standing relationship with the madam of a brothel may have helped this censure. Although listed among the Suzhou artists, he spent most of his later years, from about 1890 on, in Shanghai, where he studied the style of Ren Yi, student of Ren Xun. The inscripton contains the dedication, date and signature. A single figure, seated but leaning to the left and with elbows resting on a large rock, reads a book. The large rock takes up the entire center of the composition, and the inscription at far left is balanced by the spreading branches of a tree, of which only the lower branches are visible, at right. The lower trunk of a second tree is visible at the right edge of the fan. The energetic brush and careful control of ink value are typical of Ni Tian, who was a very skilled artist technically. He lived into the twentieth century, and continued the traditions of the Shanghai school, especially the style of Ren Yi, although without much significant contribution of his own.

  • Thumbnail for Fan painting - Scholar in nature - detail of scholar figure
    Fan painting - Scholar in nature - detail of scholar figure by Wu Guxiang (1843-1903)

    Scholars seated on a rock beneath a pine tree. This subject has been repeated ten thousand times over the centuries: the solitary scholar communing with nature, with trees and water about him. One distinctive feature here is the scholar's hat, which suggests a Korean costume. Again, the colophon may contain some answers.

  • Thumbnail for Fan painting - Scholar in nature
    Fan painting - Scholar in nature by Wu Guxiang (1843-1903)

    Scholar seated on a rock beneath a pine tree. This subject has been repeated ten thousand times over the centuries: the solitary scholar communing with nature, with trees and water about him. One distinctive feature here is the scholar's hat, which suggests a Korean costume. Again, the colophon may contain some answers.

  • Thumbnail for Fan painting - Man reading resting on a rock
    Fan painting - Man reading resting on a rock by Ni Tian (1853-1919)

    A single figure, seated but leaning to the left and with elbows resting on a large rock, reads a book. The large rock takes up the entire center space. Ni Tian is a well-known artist and his work is seen frequently in collections and at auctions. He was one of the "Nine Friends" of Suzhou, and would have known and interacted with all of the famous painters in the south in his day. He began his studies with Wang Su (1794-1797), although there are hints at friction between the two. Some aspects of Ni Tian's character helped label him as "greasy and flippant," and his long-standing relationship with the madam of a brothel may have helped this censure. Although listed among the Suzhou artists, he spent most of his later years, from about 1890 on, in Shanghai, where he studied the style of Ren Yi, student of Ren Xun. The inscripton contains the dedication, date and signature. A single figure, seated but leaning to the left and with elbows resting on a large rock, reads a book. The large rock takes up the entire center of the composition, and the inscription at far left is balanced by the spreading branches of a tree, of which only the lower branches are visible, at right. The lower trunk of a second tree is visible at the right edge of the fan. The energetic brush and careful control of ink value are typical of Ni Tian, who was a very skilled artist technically. He lived into the twentieth century, and continued the traditions of the Shanghai school, especially the style of Ren Yi, although without much significant contribution of his own.

  • Thumbnail for Fan painting - Scholar in nature - detail of inscription
    Fan painting - Scholar in nature - detail of inscription by Wu Guxiang (1843-1903)

    Scholars seated on a rock beneath a pine tree. This subject has been repeated ten thousand times over the centuries: the solitary scholar communing with nature, with trees and water about him. One distinctive feature here is the scholar's hat, which suggests a Korean costume. Again, the colophon may contain some answers.

  • Thumbnail for Untitled
    Untitled by Hiroshige III

    Mt. Fuji in the background with sailboats and blackbirds in the foreground; red stamp in lower right corner.