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29 hits

  • Thumbnail for Bronze censor - detail of side
    Bronze censor - detail of side

    This neatly fashioned rectangular box and openwork cover cleverly becomes a utilitarian incense burner, the pierced cover cast to allow incense to subtly drift upwards through a Buddhist inspired swastika decoration. The taotie handles and the geometric pattern on the ground areas add an archaistic element to the design. The base is inscribed with a dedicatory inscription. 41/8in. high, 6in. x 4 5/8 inches wide

  • Thumbnail for Large porcelain dish - sideview
    Large porcelain dish - sideview

    The decoration on this blue and white charger was inspired by Islamic ceramics of the 16th and 17th centuries and influenced the decorative patterns used on 18th century Dutch Delft wares.

  • Thumbnail for Bronze oviform vase and hexagonal stand
    Bronze oviform vase and hexagonal stand

    This solidly cast, evenly patinated simple form recalls the subtlety of Song Dynasty ceramics, themselves, a revival of delicate archaic forms seen in ancient bronzes and pottery. This shape also is seen in varying forms in Ming and Qing Dynasty Imperial porcelains and the attached openwork fret-pattern hexagonal stand is a common early Qing embellishment found in both bronze vessels and porcelain. 19.25 inches in height x 9.5 width.

  • Thumbnail for Bronze oviform vase and hexagonal stand - bottom view
    Bronze oviform vase and hexagonal stand - bottom view

    This solidly cast, evenly patinated simple form recalls the subtlety of Song Dynasty ceramics, themselves, a revival of delicate archaic forms seen in ancient bronzes and pottery. This shape also is seen in varying forms in Ming and Qing Dynasty Imperial porcelains and the attached openwork fret-pattern hexagonal stand is a common early Qing embellishment found in both bronze vessels and porcelain.

  • Thumbnail for Bronze mirror stand
    Bronze mirror stand

    Cast in the form of a recumbent unicorn or qilin supporting a crescent shaped base for a mirror, this mythical beast carries its head turned to its left and has its legs folded beneath the equine body. In traditional Chinese mythology the predominant characteristic of the qilin is that of benevolence and kindness, offering an evocative addition to a court dressing table. 5.75 inches high x 7 5/16 wide x 4.25 deep.

  • Thumbnail for Gilt bronze pin
    Gilt bronze pin

    This intricate and beautifully detailed applique comprising three overlapping circular dragon discs could have been an adornment on a court or military dress or perhaps an attachment for a horse trapping. 1 inch high by 3 inches wide.

  • Thumbnail for Set of imperial ceremonial armor-helmet front view
    Set of imperial ceremonial armor-helmet front view

    Set of armor including inner skirt, outer skirt, vest, jacket, shoulder guards, and brass helmet. The armor is trimmed in velvet and has metal studding and wrapped metal threads. Only the helmet was photographed.

  • Thumbnail for Large porcelain dish - detail of design and glaze
    Large porcelain dish - detail of design and glaze

    The decoration on this blue and white charger was inspired by Islamic ceramics of the 16th and 17th centuries and influenced the decorative patterns used on 18th century Dutch Delft wares.

  • Thumbnail for Bronze ritual vessel gu
    Bronze ritual vessel gu

    In the same tradition as the preceding object, this well cast archaistic revival vessel is decorated with the requisite zoomorphic design employing the use of taotie masks and classical leiwen background pattern. The solidly defined flanges and the three registers of decorative spaces (upper, central and lower) reflect the metal smith’s attention to the strict orthodoxy of ancient bronze decoration. College of Wooster records show several Chinese characters are painted on the inside face of flanges. One legible character is "shou", which means longevity. Over these characters are four others in red - the first is "Song" for the dynasty, the fourth means "recorded", and the second may be "liang", meaning good in quality. 16 inches high x 7.75 wide; base of 4.75 inches.

  • Thumbnail for Bronze censor - open
    Bronze censor - open

    This neatly fashioned rectangular box and openwork cover cleverly becomes a utilitarian incense burner, the pierced cover cast to allow incense to subtly drift upwards through a Buddhist inspired swastika decoration. The taotie handles and the geometric pattern on the ground areas add an archaistic element to the design. The base is inscribed with a dedicatory inscription. 41/8in. high, 6in. x 4 5/8 inches wide

  • Thumbnail for Gilt bronze pin - back
    Gilt bronze pin - back

    This intricate and beautifully detailed applique comprising three overlapping circular dragon discs could have been an adornment on a court or military dress or perhaps an attachment for a horse trapping.

  • Thumbnail for Battle flag
    Battle flag

    Battle flag in the shape of a right triangle. Made of red cotton with a black cotton Chinese character in the center, which probably represents the name of the battalion.

  • Thumbnail for Bronze censor - detail of bottom
    Bronze censor - detail of bottom

    This neatly fashioned rectangular box and openwork cover cleverly becomes a utilitarian incense burner, the pierced cover cast to allow incense to subtly drift upwards through a Buddhist inspired swastika decoration. The taotie handles and the geometric pattern on the ground areas add an archaistic element to the design. The base is inscribed with a dedicatory inscription. The base is inscribed with a dedicatory inscription to the person or persons receiving the gfit. In a panel surrounded by meander squares, there are twenty charcters in seal script. Of these, the character "chen" for "minister or officer" appears twice following characters which must have disignated names, and the character "shi" for "gentleman" follows in the same fashion. 4 1/8in. high, 6in. x 4 5/8 inches wide.

  • Thumbnail for Bronze pear-shaped vase
    Bronze pear-shaped vase

    The flattened slender vase has a flaring quatrefoil neck and mouth and two lion masks and rings are cast on to the shoulder. The body of the vase is decorated from above the foot to the mid section with loose fruiting flower branches. Floral decoration was an extremely popular motif during the Qing Dynasty and during this period artists freely departed from the strict orthodoxy of early Ming Dynasty floral décor. 10 inches high by 4.75 inches wide.

  • Thumbnail for Large porcelain dish - detail of bottom
    Large porcelain dish - detail of bottom

    The decoration on this blue and white charger was inspired by Islamic ceramics of the 16th and 17th centuries and influenced the decorative patterns used on 18th century Dutch Delft wares.

  • Thumbnail for Shallow porcelain saucer dish - detail of side
    Shallow porcelain saucer dish - detail of side

    This doucai enameled dish is decorated with maidens in a terrace garden scene within a border of pine, prunus and bamboo, the “three friends of winterâ€. These plants are emblematic of longevity, as each hearty growth survives the cold, harsh winter months. The dish is inscribed on the base with an apocryphal Ming Dynasty Zhenghua (1465-1487) reign mark, but the decoration, enamel technique and subject matter are clearly 18th century.

  • Thumbnail for Bronze censor
    Bronze censor

    Cast in the form of the mythical three-legged toad, emblematic of the unattainable and great wealth, the upper portion of its body forms the cover and the three spread legs, the base. Its mouth is pierced to allow the incense to drift upwards. This beast has both Taoist and Buddhist implications, as do many of legendary beasts and creatures in traditional Chinese iconography. 8 inches long, 5 inches high.

  • Thumbnail for Set of imperial ceremonial armor- helmet back view
    Set of imperial ceremonial armor- helmet back view

    Set of armor including inner skirt, outer skirt, vest, jacket, shoulder guards, and brass helmet. The armor is trimmed in velvet and has metal studding and wrapped metal threads. Only the helmet was photographed.

  • Thumbnail for Rhinoceros horn wine cup stand
    Rhinoceros horn wine cup stand

    Carved from a large rhinoceros horn. Imitation of a bronze Han Dynasty mirror. Two dragons decorate the surface.

  • Thumbnail for Bronze censor
    Bronze censor

    This neatly fashioned rectangular box and openwork cover cleverly becomes a utilitarian incense burner, the pierced cover cast to allow incense to subtly drift upwards through a Buddhist inspired swastika decoration. The taotie handles and the geometric pattern on the ground areas add an archaistic element to the design. The base is inscribed with a dedicatory inscription to the person or persons receiving the gfit. In a panel surrounded by meander squares, there are twenty charcters in seal script. Of these, the character "chen" for "minister or officer" appears twice following characters which must have disignated names, and the character "shi" for "gentleman" follows in the same fashion. 4 1/8in. high, 6in. x 4 5/8 inches wide

  • Thumbnail for Bronze censor  - back view
    Bronze censor - back view

    Cast in the form of the mythical three-legged toad, emblematic of the unattainable and great wealth, the upper portion of its body forms the cover and the three spread legs, the base. Its mouth is pierced to allow the incense to drift upwards. This beast has both Taoist and Buddhist implications, as do many of legendary beasts and creatures in traditional Chinese iconography. 8 inches long, 5 inches high.

  • Thumbnail for Bronze ritual vessel gu - central view
    Bronze ritual vessel gu - central view

    In the same tradition as the preceding object, this well cast archaistic revival vessel is decorated with the requisite zoomorphic design employing the use of taotie masks and classical leiwen background pattern. The solidly defined flanges and the three registers of decorative spaces (upper, central and lower) reflect the metal smith’s attention to the strict orthodoxy of ancient bronze decoration.

  • Thumbnail for Shallow porcelain saucer dish - detail of bottom
    Shallow porcelain saucer dish - detail of bottom

    This doucai enameled dish is decorated with maidens in a terrace garden scene within a border of pine, prunus and bamboo, the “three friends of winterâ€. These plants are emblematic of longevity, as each hearty growth survives the cold, harsh winter months. The dish is inscribed on the base with an apocryphal Ming Dynasty Zhenghua (1465-1487) reign mark, but the decoration, enamel technique and subject matter are clearly 18th century.

  • Thumbnail for Shallow porcelain saucer dish
    Shallow porcelain saucer dish

    This doucai enameled dish is decorated with maidens in a terrace garden scene within a border of pine, prunus and bamboo, the “three friends of winterâ€. These plants are emblematic of longevity, as each hearty growth survives the cold, harsh winter months. The dish is inscribed on the base with an apocryphal Ming Dynasty Zhenghua (1465-1487) reign mark, but the decoration, enamel technique and subject matter are clearly 18th century. Width 8 inches; height 1 5/8 inches.

  • Thumbnail for Bronze ritual vessel fanggu
    Bronze ritual vessel fanggu

    This solidly cast archaistic model of an ancient classical ritual vessel was cast for use as decoration in an upper class household or scholarly pavilion. The fashion of having visual manifestations of ancient objects was an important one in Manchu court circles where great effort was made to demonstrate an affinity to classical Han culture as the foreign Qing rulers were seriously consolidating their rule over China – a process that started with the overthrow of the ethnically Chinese Ming Dynasty in 1644. 15.25 inches high x 7.5 wide ; base 4.5 inches.