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  • Thumbnail for Hiroshima:  National Peace Memorial Hall, sign stating the mission of the Memorial
    Hiroshima: National Peace Memorial Hall, sign stating the mission of the Memorial

    We hereby mourn those who perished in the atomic bombing. At the same time, we recall with great sorrow the many lives sacrificed to mistaken national policy. To ensure that no such tragedies are ever repeated, we pledge to convey the truth of these events throughout Japan and around the world, to pass it on to future generations, and to build, as soon as possible, a peaceful world free from nuclear weapons.

  • Thumbnail for Ellora, Jain Temple, guru poster photo
    Ellora, Jain Temple, guru poster photo

    The guru of this temple, a digambara monk, is shown on this poster with the broom he uses to brush small animals and insects from his path in order not to harm any living being.

  • Thumbnail for Shrimp
    Shrimp by Qi Baishi, 1863-1957

    This artist has been called the "Picasso of China." Known for his simple compositions, economy of brush strokes, and bold contrasting colors.

  • Thumbnail for Landscape
    Landscape by Chang Ting, 1917-

    The artist studied abroad in Italy and France in 1954 but during the Cultural Revolution he was restricted to the countryside without any painting supplies. His paintings often incorporate elements of Chinese folk art.

  • Thumbnail for Chess playing
    Chess playing by Fu Baoshi, 1904-1965

    Fu Baoshi was a literati painter, art educator and art historian. This painting reflects the period in the artist's life when his brush work had become bold, using a dotting method to bring harmony and unity to his landscapes.

  • Thumbnail for Bamboo
    Bamboo by Wang Qiyuan, 1895-1975

    The artist was born into the family of a Confucian scholar. He departed from traditional painting by using oils in the Western style as well as ink and watercolors. In 1941 he left China for the United States founding a school of Chinese brushwork in New York.

  • Thumbnail for Landscape
    Landscape by Zhang Daqian, 1899-1983

    Painted as a "gift painting" for Charles Chu in New Haven, Connecticut.

  • Thumbnail for Orchids and Rocks, full view
    Orchids and Rocks, full view by Wu Shouxian

    Chinese hanging scroll with vertically-oriented painting; black ink and tan on paper; image area 31 cm x 132.8 cm; brocade frame, flush roller with brocade ends; orchids adorn rock face; calligraphy, three seals.

  • Thumbnail for Landscapes and Figures, scholar
    Landscapes and Figures, scholar by Ren Xun

    Finely detailed Chinese painting of a scholar figure by a gnarled tree on the riverbank. The image area is 23.2 cm x 21 cm. The painting is a part of a set of four related paintings by Ren Xun. Ren Xun was the younger brother of Ren Xiong (1820-1864) and his family members were successful commercial painters in Shanghai and nearby regions and skilled in many subjects, including portraiture.

  • Thumbnail for Chrysanthemums and Birds by Rock
    Chrysanthemums and Birds by Rock by Zhang, Gun

    Chinese hanging scroll with vertically-oriented painting and a bronze-colored brocade silk mounting. The image is 33 cm x 120 cm and has dry, lively brush strokes illustrating an autumn scene of flowering chrysanthemum emerging from a deeply worn rock with two birds ""fighting' while a third bird perches above.

  • Thumbnail for Landscape
    Landscape by Pu Ju

    Vertical landscape done in the blue and green style, with small pavilion on a rocky outcropping above man in small boat below. Four line inscription links the foreground imagery with that of the far distance. Three seals placed at varying points on the painting.

  • Thumbnail for Imperial bronze bell (handle detail)
    Imperial bronze bell (handle detail)

    This bell is dated by the inscription in a cartouche as having been made in the 50th year of the reign of Emperor Kangxi, i.e. 1711. The bell was evidently meant to be part of a larger set of bells, thus it represents a continuation of the ancient practice of producing sets of bells that were suspended from a rack. Each bell was specifically manufactured to produce a particular note in the Chinese musical scale. The inscription on the opposite side of the bell has three characters indicating which musical note the bell produces when struck. In addition, this bell is an excellent example of superior quality, imperial level bronze casting.

  • Thumbnail for Imperial bronze bell (side detail)
    Imperial bronze bell (side detail)

    This bell is dated by the inscription in a cartouche as having been made in the 50th year of the reign of Emperor Kangxi, i.e. 1711. The bell was evidently meant to be part of a larger set of bells, thus it represents a continuation of the ancient practice of producing sets of bells that were suspended from a rack. Each bell was specifically manufactured to produce a particular note in the Chinese musical scale. The inscription on the opposite side of the bell has three characters indicating which musical note the bell produces when struck. In addition, this bell is an excellent example of superior quality, imperial level bronze casting.

  • Thumbnail for Rubbing of stone engraving depiction of the poetess Xie Tao
    Rubbing of stone engraving depiction of the poetess Xie Tao

    Although of lesser quality, this depiction of Xie Tao is interesting because it is a rare (imaginary) portrayal of a woman writer. The text at the top of the scroll is her biography. Xie (768 – 831/32) was a noted courtesan/poetess who lied in Chengdu, Sichuan. In addition to her poetry she is famous for developing an ornamented paper to be used for writing out brief poems.

  • Thumbnail for Chinese silk painting of peonies in a garden
    Chinese silk painting of peonies in a garden

    38 1/2 x 17 1/8 ink and color on silk textile of peonies in a garden. These appear to be a pair of fine Chinese bird and flower paintings cut from their original mounts and provided with matching frames.

  • Thumbnail for The Fearing Cup
    The Fearing Cup by Anonymous

    18 x 12 x 12 inches. Silver cup made in Shanghai. The cup is an example of the metalwork of the early 20th century China. Standing on three sculptural lions, the vessel is furnished with six petal-shaped panels; each is decorated with relief narrative scenes, floral designs and carved dragon motifs. The two handles are modeled into flamboyant dragons with their claws attached to the surface of the cup. A raised shield-shaped section on two central panels is carved with inscriptions surrounded by dragons swirling in the cloud. The inscriptions in English read 'Presented to Mr. Henry D. Fearing by the Chinese students, Amherst, Mass., 1906'. The other panel inscribed in traditional Chinese bears the name of the eleven students: Huang Risheng, Lu Baoxian, Rong Xianren, Lian Qian, Cai Guozao, Liang Laikui, Chen Yaorong, Zheng Heng, Rong Jingqing, Liang Wenji and Liang Qingluan. The two narrative panels are executed in the manner of traditional Chinese scenes. One panel shows an elder couple welcoming a young man to their home and the other depicts the young man leaving the residence of the couple with a sense of confidence and accomplishment. The subject is carefully chosen to serve as metaphor of Mr. and Ms. Fearing's generosity to and guidance for the young Chinese students.

  • Thumbnail for Crane by Pine and Waterfall from Album of 11 Miniature Sketches)
    Crane by Pine and Waterfall from Album of 11 Miniature Sketches) by Jin Xiaqi

    These sketches depict animals in landscapes 1) crane by pine and waterfall 2) two horses by stream 3) ox-herder and two oxen crossing a stone bridge 4) dragon cavorting above a frothy sea 5) a pair of peacocks on a riverbank 6) a group of horses in a pasture 7) mandarin ducks in a pond 8) monkey clinging to a hillock 9) white goats on a hillside 10) a pair of white cranes near bamboo 11) three spotted deer, plantain, and rock. Each album leaf is 5 1/16 x 3 1/2 inches. Ink and colors on silk. To see another image from the album, click on related record below.

  • Thumbnail for Landscape in the style of Mi Fu from Album of Eight Minature Landscapes
    Landscape in the style of Mi Fu from Album of Eight Minature Landscapes by Zhang Peidun (1772-1846)

    This album of landscapes demonstrates Zhang's ability to paint in a number of classic idioms, including the misty "Mi" family style, and the style of Ni Zan. The album could have functioned as an artist's sketchbook of compositions and styles, but it would have had value for collectors. A good representation of the orthodox styles available to artists of the late imperial period. 7 5/8 x 4 7/8 inches. Ink on paper. See related album leaf by clicking on related record below.

  • Thumbnail for Landscape - detail of frontispiece
    Landscape - detail of frontispiece by attrib. Wang Hui (1632-1717)

    The Wang Hui attribution is probably spurious. The painting is, however, a good example of orthodox landscape in the late imperial period. 67 7/8" x 12 7/8". Ink and colors on satin. Very much darkened with some in-painting. To see the painting, click on related record below.

  • Thumbnail for General Zhu Zhixi in His Garden - title inscription and seal
    General Zhu Zhixi in His Garden - title inscription and seal by Jiao Bingzhen (1689-1726)

    Title inscription and seal attached to handscroll General Zhu Zhixi in His Garden. The inscription gives Jiao Bingzhen as the artist, though the painting is probably later in date. The painting depicts a scene from the biography of General Zhu Zhixi, president of the Board of War for the Kangxi Emperor of the Qing dynasty. A biography is appended. The scene shows the general in a library set into a garden, with servants nearby. To see the entire scroll, click on related record below.

  • Thumbnail for Great Egret
    Great Egret by Wang Yuan

    Possibly a work by a follower of Zhao Mengfu. The painting is very fine, probably cut down from a larger composition and now in a Japanese mounting. The subject and composition are inspired by Song bird-and-flower painting, but the slightly stylized qualities suggest a later date, possibly as early as the late Yuan, but also possibly Ming dynasty. To view a detail of the egret, click on related record below.

  • Thumbnail for Hong Yai Goes Out
    Hong Yai Goes Out by Su Liuming

    A professional painter of figures and narratives.

  • Thumbnail for Sketches of Men and Things of Fuchou China: text for men lighting pipe
    Sketches of Men and Things of Fuchou China: text for men lighting pipe

    A (Western style) bound volume, consisting of 175 pages with text in English by a missionary, with ink drawings done by a Chinese artist. Text and drawings illustrate Chinese people and their activities with detailed depiction of tools and other objects, and activities of everyday life in Fuzhou. According to Susan Huntington, this sort of book was commonly produced by British missionaries to India. This was a very impressive, interesting group of pictures of daily life and people of China. The black ink sketches on the right hand pages are labeled in Chinese, often with English translations. The left-side pages are English descriptions of the activities and objects illustrated by the ink drawings. Nathan Sites was a minister of the Methodist Episcopal Church who served in Fuzhou between 1861-1895. He was the first Ohio Wesleyan University graduate to serve as a missionary. The book was designed and commissioned by Rev. and Mrs. Nathan Sites, Methodist missionaries to “Fuhchou.†Drawings were made by a Chinese artist. The purpose of the book was to show relatives and friends in America the customs of Chinese in “Fuhchou.†A letter written November 7th, 1863 appears at the beginning of the journal: “Dear Friends at Home: Feeling anxious to give you as clear an understanding as we possibly could of the people, their dress, employments, mode of life of this heathen country, we hit upon the following plan as the best to convey to your minds their appearance, manner and customs. Most of these sketches are really life-like. We have seen men and women engaged in many of the employments here sketched.â€

  • Thumbnail for Sketches of Men and Things of Fuchou China: two friends greeting eachother
    Sketches of Men and Things of Fuchou China: two friends greeting eachother

    A (Western style) bound volume, consisting of 175 pages with text in English by a missionary, with ink drawings done by a Chinese artist. Text and drawings illustrate Chinese people and their activities with detailed depiction of tools and other objects, and activities of everyday life in Fuzhou. According to Susan Huntington, this sort of book was commonly produced by British missionaries to India. This was a very impressive, interesting group of pictures of daily life and people of China. The black ink sketches on the right hand pages are labeled in Chinese, often with English translations. The left-side pages are English descriptions of the activities and objects illustrated by the ink drawings. Nathan Sites was a minister of the Methodist Episcopal Church who served in Fuzhou between 1861-1895. He was the first Ohio Wesleyan University graduate to serve as a missionary. The book was designed and commissioned by Rev. and Mrs. Nathan Sites, Methodist missionaries to “Fuhchou.†Drawings were made by a Chinese artist. The purpose of the book was to show relatives and friends in America the customs of Chinese in “Fuhchou.†A letter written November 7th, 1863 appears at the beginning of the journal: “Dear Friends at Home: Feeling anxious to give you as clear an understanding as we possibly could of the people, their dress, employments, mode of life of this heathen country, we hit upon the following plan as the best to convey to your minds their appearance, manner and customs. Most of these sketches are really life-like. We have seen men and women engaged in many of the employments here sketched.â€

  • Thumbnail for Sketches of Men and Things of Fuchou China: meat seller
    Sketches of Men and Things of Fuchou China: meat seller

    A (Western style) bound volume, consisting of 175 pages with text in English by a missionary, with ink drawings done by a Chinese artist. Text and drawings illustrate Chinese people and their activities with detailed depiction of tools and other objects, and activities of everyday life in Fuzhou. According to Susan Huntington, this sort of book was commonly produced by British missionaries to India. This was a very impressive, interesting group of pictures of daily life and people of China. The black ink sketches on the right hand pages are labeled in Chinese, often with English translations. The left-side pages are English descriptions of the activities and objects illustrated by the ink drawings. Nathan Sites was a minister of the Methodist Episcopal Church who served in Fuzhou between 1861-1895. He was the first Ohio Wesleyan University graduate to serve as a missionary. The book was designed and commissioned by Rev. and Mrs. Nathan Sites, Methodist missionaries to “Fuhchou.†Drawings were made by a Chinese artist. The purpose of the book was to show relatives and friends in America the customs of Chinese in “Fuhchou.†A letter written November 7th, 1863 appears at the beginning of the journal: “Dear Friends at Home: Feeling anxious to give you as clear an understanding as we possibly could of the people, their dress, employments, mode of life of this heathen country, we hit upon the following plan as the best to convey to your minds their appearance, manner and customs. Most of these sketches are really life-like. We have seen men and women engaged in many of the employments here sketched.â€