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40 hits

  • Thumbnail for Street Drama, characters
    Street Drama, characters by Utagawa Kuniyoshi

    Horizontal Japanese Ukiyo-e print; two panels from probable triptych; black and polychrome woodblock print on paper; various seals of Kuniyoshi, including “Ichiyosai†(a style name of Kuniyoshi). Artist is known for his depictions of heroic episodes in Japanese history. In his later work he tended to have a taste for the bizarre and the ghoulish. His work is influenced by European models, and in this work, the background has some degree of vanishing-point perspective. The works of Kuniyoshi are collected by many museums around the world, including Metropolitan of New York, Boston, San Francisco, Cleveland, The British Museum London, and the Nelson-Atkins in Kansas City.

  • Thumbnail for Narcissus and Fungus, full view
    Narcissus and Fungus, full view by Wu Shouxian

    Chinese hanging scroll with vertically-oriented painting; black ink and red on paper; image area 31 cm x 132.5 cm; brocade frame, flush roller with brocade ends; red fungus (mushrooms) regarded as the plant of long life or immortality and symbol of the good; calligraphy, three seals.

  • Thumbnail for Orchids and Rocks, full view
    Orchids and Rocks, full view by Wu Shouxian

    Chinese hanging scroll with vertically-oriented painting; black ink and tan on paper; image area 31 cm x 132.8 cm; brocade frame, flush roller with brocade ends; orchids adorn rock face; calligraphy, three seals.

  • Thumbnail for Landscapes and Figures, mountain scene with house
    Landscapes and Figures, mountain scene with house by Ren Xun

    Chinese painting of a mountain scene that is part of a set of four related paintings. Ren Xun was the younger brother of Ren Xiong (1820-1864) and his family members were successful commercial painters in Shanghai and nearby regions and skilled in many subjects, including portraiture. Ren Xun followed the style of one of the eccentric painters, Chen Hongshu (1598-1652) in his figure paintings and was also skilled in bird-and-flower subjects. Both brothers were active in Shanghai and their styles are labeled “Shanghai School†for their colorful and decorative features and popular subjects.

  • Thumbnail for Pipa Song
    Pipa Song by Jiang Yun

    Horizontal Chinese painting; ink and colors on paper; 38.8 cm x 24.3 cm; lady and lute on covered barge, only mast and lanterns of another barge are visible, with willow, pine, and blossoming trees. Jiang Yun’s painting was a token of friendship, responding to a friend’s request. The subject is based on the famous Tang era poem, Lyrics of the Pipa (Lute) by Bai Juyi (772-846 C.E.).

  • Thumbnail for Tang Yin portrait, full view
    Tang Yin portrait, full view by Signed 'Tang Yin'

    Chinese vertical scroll painting, likely a forgery; colors on silk, brocade frame mounted on paper, flush roller with brocade ends; image area 20.4 cm x 55.8 cm; subject Chang Hsien the archer, patron of child-bearing; birth of male child announced by hanging bow at door or gate, calligraphy, five seals. The subject matter does not match the artist’s inscription. Tang Yin is very well known for his versatility, including calligraphy, figures, and landscapes. He was also known for his literary talents and free-spirited lifestyle. His artistic reputation is reflected in many writings, including novels and dramas in later eras and his love of women is depicted in the performing arts and popular culture. Tang Yin was known as a commercial painter who sold his works and took commissions. Many of the extant works that bear his signature are forgeries. The artist of this painting displays a unique manner in his brushwork, with angular and edgy outlines that reflect the influence of Zhou Chen (still alive in the 1530s), another famous painter of Tang Yin’s era. Tang Yin originally studied painting with Zhou Chen, however Zhou Chen occasionally ghost-painted for Tang Yin due to the huge demand for Tang’s paintings. Another possibility is that the inscription of this painting was done by Tang Yin and the figure was done by Zhou Chen.

  • Thumbnail for Autumn Leaves and Chrysanthemums, full view
    Autumn Leaves and Chrysanthemums, full view by Jin Dui

    Horizontal Chinese painting; ink and colors on paper; 34.2 cm x 27.3 cm; white chrysanthemums, symbol of 9th month, autumn and fruit blossoms; calligraphy and one seal by artist.

  • Thumbnail for Ken Tenju hanging scroll, 2 seals
    Ken Tenju hanging scroll, 2 seals by Tenju, Ken

    Japanese Edo period hanging scroll with vertically-oriented painting and a brown brocade mounting. The image area is 28 cm x 187 cm and depicts the landscape of a Nanga school with the scene of a mountain and hut to the left, a river to the right, a bridge in the foreground, and an inscription to the upper right.

  • Thumbnail for Colored Landscape
    Colored Landscape by Guo Shiqiang , it is a good example.

    Vertical Chinese scroll painting; ink and light polychrome on paper; image size 35.8 cm x 112 cm; brocade frame mounted on paper, protruding teak roller ends; landscape with pavilions on stilts in river with rocks and trees.

  • Thumbnail for Narcissus and Fungus, characters
    Narcissus and Fungus, characters by Wu Shouxian

    Chinese hanging scroll with vertically-oriented painting; black ink and red on paper; image area 31 cm x 132.5 cm; brocade frame, flush roller with brocade ends; red fungus (mushrooms) regarded as the plant of long life or immortality and symbol of the good; calligraphy, three seals.

  • Thumbnail for Figures in a Garden
    Figures in a Garden by Qian, Hui'an

    Chinese hanging scroll with vertically-oriented painting; ink and colors on paper; image area 39.4 cm x 142.8 cm; brocade frame, mounted on paper with flush roller and brocade ends; subject bearded sage with staff, possibly Confucius or Lao Tzu, and woman standing on a bridge; calligraphy and seal.

  • Thumbnail for Tang Yin portrait, character inscription
    Tang Yin portrait, character inscription by Signed 'Tang Yin'

    Chinese vertical scroll painting, likely a forgery; colors on silk, brocade frame mounted on paper, flush roller with brocade ends; image area 20.4 cm x 55.8 cm; subject Chang Hsien the archer, patron of child-bearing; birth of male child announced by hanging bow at door or gate, calligraphy, five seals. The subject matter does not match the artist’s inscription. Tang Yin is very well known for his versatility, including calligraphy, figures, and landscapes. He was also known for his literary talents and free-spirited lifestyle.

  • Thumbnail for Ken Tenju hanging scroll, picture view
    Ken Tenju hanging scroll, picture view by Tenju, Ken

    Japanese Edo period hanging scroll with vertically-oriented painting and a brown brocade mounting. The image area is 28 cm x 187 cm and depicts the landscape of a Nanga school with the scene of a mountain and hut to the left, a river to the right, a bridge in the foreground, and an inscription to the upper right.

  • Thumbnail for Pipa Song
    Pipa Song by Jiang Yun

    Horizontal Chinese painting; ink and colors on paper; 38.8 cm x 24.3 cm; lady and lute on covered barge, only mast and lanterns of another barge are visible, with willow, pine, and blossoming trees. Jiang Yun’s painting was a token of friendship, responding to a friend’s request. The subject is based on the famous Tang era poem, Lyrics of the Pipa (Lute) by Bai Juyi (772-846 C.E.).

  • Thumbnail for Orchids and Rocks, characters
    Orchids and Rocks, characters by Wu Shouxian

    Chinese hanging scroll with vertically-oriented painting; black ink and tan on paper; image area 31 cm x 132.8 cm; brocade frame, flush roller with brocade ends; orchids adorn rock face; calligraphy, three seals.

  • Thumbnail for Ken Tenju hanging scroll, corner view
    Ken Tenju hanging scroll, corner view by Tenju, Ken

    Japanese Edo period hanging scroll with vertically-oriented painting and a brown brocade mounting. The image area is 28 cm x 187 cm and depicts the landscape of a Nanga school with the scene of a mountain and hut to the left, a river to the right, a bridge in the foreground, and an inscription to the upper right.

  • Thumbnail for Ken Tenju hanging scroll, view of characters
    Ken Tenju hanging scroll, view of characters by Tenju, Ken

    Japanese Edo period hanging scroll with vertically-oriented painting and a brown brocade mounting. The image area is 28 cm x 187 cm and depicts the landscape of a Nanga school with the scene of a mountain and hut to the left, a river to the right, a bridge in the foreground, and an inscription to the upper right.

  • Thumbnail for Autumn Leaves and Chrysanthemums, characters
    Autumn Leaves and Chrysanthemums, characters by Jin Dui

    Horizontal Chinese painting; ink and colors on paper; 34.2 cm x 27.3 cm; white chrysanthemums, symbol of 9th month, autumn and fruit blossoms; calligraphy and one seal by artist.

  • Thumbnail for Xu Diao, Ferret and Mellon, view of roller
    Xu Diao, Ferret and Mellon, view of roller by Zhao, Zhiqian

    Chinese hanging scroll with vertically-oriented painting depicting a ferret or porcupine nibbling a melon. The image area is 40 cm x 108 cm and was made with black and grey ink on silk and mounted with a brocade frame on a paper mount with teak roller. Zhao, well-known for his calligraphy and seal carving, is one of the most important Qing painters. His style synthesized the styles of Xu Wei ((1521-1593), shi Tao (or Dao Ji, among the “Four Monks of the Ming†1630 – unknown), and Li Shan (1686-unknown). This painting reflects one of Zhao’s later interests in zoology and marine creatures, in addition to his whimsical commentary on the ferret chewing the melon.

  • Thumbnail for Figures in a Garden
    Figures in a Garden by Qian, Hui'an

    Chinese hanging scroll with vertically-oriented painting; ink and colors on paper; image area 39.4 cm x 142.8 cm; brocade frame, mounted on paper with flush roller and brocade ends; subject bearded sage with staff, possibly Confucius or Lao Tzu, and woman standing on a bridge; calligraphy and seal.

  • Thumbnail for Portrait, upper view
    Portrait, upper view by Unknown

    19th century portrait depicting a subject seated in a garden by a stream, chrysanthemum in a vase and a pine tree. The chrysanthemum in the vase symbolizes autumn while the pine tree represents longevity. The image area is 67cm x 130.5 cm and was made using Chinese ink and colors on paper in a silk mounting. The subject and artistic style are reminiscent of the famous artist, Ren Xiong (1820-1864). Ren Xiong and his family members were successful commercial painters in Shanghai and nearby regions and skilled in many subjects, including portraiture.

  • Thumbnail for Landscapes and Figures, mountain scene with house
    Landscapes and Figures, mountain scene with house by Ren Xun

    Chinese painting of a mountain scene that is part of a set of four related paintings. Ren Xun was the younger brother of Ren Xiong (1820-1864) and his family members were successful commercial painters in Shanghai and nearby regions and skilled in many subjects, including portraiture. Ren Xun followed the style of one of the eccentric painters, Chen Hongshu (1598-1652) in his figure paintings and was also skilled in bird-and-flower subjects. Both brothers were active in Shanghai and their styles are labeled “Shanghai School†for their colorful and decorative features and popular subjects.

  • Thumbnail for Chrysanthemums and Birds by Rock
    Chrysanthemums and Birds by Rock by Zhang, Gun

    Chinese hanging scroll with vertically-oriented painting and a bronze-colored brocade silk mounting. The image is 33 cm x 120 cm and has dry, lively brush strokes illustrating an autumn scene of flowering chrysanthemum emerging from a deeply worn rock with two birds 'fighting' while a third bird perches above.

  • Thumbnail for Ken Tenju hanging scroll, view of brocade
    Ken Tenju hanging scroll, view of brocade by Tenju, Ken

    Japanese Edo period hanging scroll with vertically-oriented painting and a brown brocade mounting. The image area is 28 cm x 187 cm and depicts the landscape of a Nanga school with the scene of a mountain and hut to the left, a river to the right, a bridge in the foreground, and an inscription to the upper right.

  • Thumbnail for Colored Landscape
    Colored Landscape by Guo Shiqiang , it is a good example.

    Vertical Chinese scroll painting; ink and light polychrome on paper; image size 35.8 cm x 112 cm; brocade frame mounted on paper, protruding teak roller ends; landscape with pavilions on stilts in river with rocks and trees.