The temple nestled in the mountains inside a stone wall suggests a romantic retreat, far removed from the urban life. The buildings and rocks are surrounded by dense low shrubs and there are lumpy peaks of mountains. The identification of this artist is tentative. Zhu Chengshou is recorded, but the only information given is that he was appointed to the court as a gongsheng (senior licentiate) in 1869. While this date is almost in the middle of two possible years on the sixty-year cycle for bingshen, a gongsheng appointment would come only after one had established a reputation, so an earlier date seems most likely. The temple nestled in the mountains inside a stone wall suggests a romantic retreat, far removed from the urban life that any official would have led. The buildings and rocks surrounded by dense low shrubs reminds one of the paintings of Gong Xian, a famous artist from earlier in the dynasty. Then again, the lumpy peaks of the mountains suggest the style of the Five Dynasties artist Zhuran: perhaps both references were intended. A path enters the scene at bottom right, continues past the temple gate, and then crosses a stream before exiting left. This is a very attractive work, with a personal style.