15 lines of running script alternating between lines of eight and four characters, with some variation in number of characters per line. These are followed by six lines of date, dedication, and signature. Wu Changshi, a name Wu Jun adopted later in life, is arguably the most famous and most important artist represented in this collection. He is also one of the latest, and most of his work and stylistic innovations occurred in the twentieth century. This work is dated, but the area of the date is heavily abraded and unreadable. It is most likely, however, an early example of his calligraphy. His career is as well recorded as any artist of his generation, and the extensive comments by Claudia Brown and Kuiyi Shen are readily available and need not be repeated here in detail. Shen says of Wu that he was "â€¦one of the most innovative of early twentieth-century painters, and his career best represents the process of evolution form artistic patterns of late imperial China to those of the modern era." He began his career in the late Qing aspiring to a position as an official, but ended up in Shanghai as a commercial artist, two roles which were at the opposite ends of the social spectrum. The characters are written in an aggressive and rapid hand. There is a tendency for horizontal strokes to rise rapidly from left the right, and all strokes have noticeable modulation. These are aspects of his mature calligraphy, but more cautiously expressed. The same form of the character "Jun" in the signature can be seen in an early painting found in Brown. As with all famous Chinese artists, a certain caution is advisable, and a scholar familiar with Changshi's calligraphy through his career should be asked for an opinion. Nevertheless, this is a very important work that should be shared with those doing work in this area.