Utagawa Toyharu was the founder of the Utagawa school of ukiyo-e painting and printmaking. He was born in Kyoto and studied Kano school painting under Tsuruzawa Tangei. Upon moving to Edo in the 1760s he studied with Shigenaga and Sekien and began releasing his own work shortly thereafter. In 1763 he became a printmaker in the ukiyo-e tradition. After establishing himself as a foremost master of printmaking, Toyoharu began to take pupils, among them Toyohiro and Toyokuni, who assumed Toyoharuâ€™s title after his death. Toyoharuâ€™s output was diverse. He is probably best-known for creating the innovative uki-e or perspective print, which was a melding of Japanese and Western art tastes for composition and design. He created several landscape print series in the uki-e manner but he also worked within traditional subject matters and designs. The perspective print illustrates the influence of western images as they made there way into Japan. While contrary to traditional Japanese depictions of space, perspective was particularly appropriate to depictions of the floating world. Attending the Japanese theater, particularly Kabuki, was a popular pastime in the theater quarters of Edo and other large cities. Many plays depicted well-known historical and literary events from Japanâ€™s past, while others featured narratives of a particularly modern bent. The uki-e print was able to capture the bustle and din of the Kabuki theater and the pleasure quarters in which they were located.