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  • Thumbnail for Palm Sunday
    Palm Sunday by Sadao Watanabe (1913-1996)

    Kappazuri or katazome dyed stencil print, 4/100, 34 1/2 x 24 1/2 inches. There are 57 examples of the stencil-prints (kappazuri) of Watanabe Sadao in the Brauer Museum of Art. Watanabe is, perhaps, the most famous Christian-Japanese print master to date. Frances Blakemore states that "Watanabe's works are in collections from South Africa to Australia, from the Philippines to Europe." (Who's who in Modern Japanese Prints, p. 228). 23 institutions list examples of his work in their collections, including the Museums of Modern Art of Tokyo and New York, the Honolulu Academy of Arts, the British Museum, and the Haifa Museum. Ten of Watanabe's prints are on permanent display in the Vatican Museum of Modern Art. Watanabe also has had shows of his prints in the US, Japan, Brussels, the Netherlands, China, Germany, Denmark, and Indonesia. His work was included into the exhibition of Japanese prints at the Winter Olympics in Sapporo in 1972. Watanabe has won the prizes of the Folk Art Museum, the Japanese Print Association, and other prestigious bodies. He is holder of the coveted prize of the Kokuga sosaku kyokai, the organization that holds the Arts in Spring-Kokuten Exhibition that is such an important event in the world of modern art in Japan. The range in date, subject, and size of these prints means that the Watanabe Collection of the Brauer Museum of Art provides excellent coverage of this key Creative Print master, increasing its value for his study.

  • Thumbnail for The Lord's Supper
    The Lord's Supper by Sadao Watanabe (1913-1996)

    Kappazuri or katazome dyed stencil print, 5/80, 37 x 25 inches. There are 57 examples of the stencil-prints (kappazuri) of Watanabe Sadao in the Brauer Museum of Art. Watanabe is, perhaps, the most famous Christian-Japanese print master to date. Frances Blakemore states that "Watanabe's works are in collections from South Africa to Australia, from the Philippines to Europe." (Who's who in Modern Japanese Prints, p. 228). 23 institutions list examples of his work in their collections, including the Museums of Modern Art of Tokyo and New York, the Honolulu Academy of Arts, the British Museum, and the Haifa Museum. Ten of Watanabe's prints are on permanent display in the Vatican Museum of Modern Art. Watanabe also has had shows of his prints in the US, Japan, Brussels, the Netherlands, China, Germany, Denmark, and Indonesia. His work was included into the exhibition of Japanese prints at the Winter Olympics in Sapporo in 1972. Watanabe has won the prizes of the Folk Art Museum, the Japanese Print Association, and other prestigious bodies. He is holder of the coveted prize of the Kokuga sosaku kyokai, the organization that holds the Arts in Spring-Kokuten Exhibition that is such an important event in the world of modern art in Japan. The range in date, subject, and size of these prints means that the Watanabe Collection of the Brauer Museum of Art provides excellent coverage of this key Creative Print master, increasing its value for his study.

  • Thumbnail for Adam and Eve
    Adam and Eve by Sadao Watanabe (1913-1996)

    Kappazuri or katazome dyed stencil print, 16/100, 27 x 20 inches. Watanabe is, perhaps, the most famous Christian-Japanese print master to date. Frances Blakemore states that: "Watanabe's works are in collections from South Africa to Australia, from the Philippines to Europe. (Who's who in Modern Japanese Prints, p. 228). Institutions that list examples of his work in their collections include the Museums of Modern Art of Tokyo and New York, the Honolulu Academy of Arts, the British Museum, and the Haifa Museum. Ten of Watanabe's prints are on permanent display in the Vatican Museum of Modern Art. Watanabe also has had shows of his prints in the US, Japan, Brussels, the Netherlands, China, Germany, Denmark, and Indonesia. His work was included into the exhibition of Japanese prints at the Winter Olympics in Sapporo in 1972. Watanabe has won the prizes of the Folk Art Museum, the Japanese Print Association, and other prestigious bodies. He is holder of the coveted prize of the Kokuga sosaku kyokai, the organization that holds the Arts in Spring-Kokuten Exhibition that is such an important event in the world of modern art in Japan.

  • Thumbnail for The Last Supper
    The Last Supper by Sadao Watanabe (1913-1996)

    Kappazuri or katazome dyed stencil print, 11/80, 24 x 28 inches. There are 57 examples of the stencil-prints (kappazuri) of Watanabe Sadao in the Brauer Museum of Art. Watanabe is, perhaps, the most famous Christian-Japanese print master to date. Frances Blakemore states that "Watanabe's works are in collections from South Africa to Australia, from the Philippines to Europe." (Who's who in Modern Japanese Prints, p. 228). 23 institutions list examples of his work in their collections, including the Museums of Modern Art of Tokyo and New York, the Honolulu Academy of Arts, the British Museum, and the Haifa Museum. Ten of Watanabe's prints are on permanent display in the Vatican Museum of Modern Art. Watanabe also has had shows of his prints in the US, Japan, Brussels, the Netherlands, China, Germany, Denmark, and Indonesia. His work was included into the exhibition of Japanese prints at the Winter Olympics in Sapporo in 1972. Watanabe has won the prizes of the Folk Art Museum, the Japanese Print Association, and other prestigious bodies. He is holder of the coveted prize of the Kokuga sosaku kyokai, the organization that holds the Arts in Spring-Kokuten Exhibition that is such an important event in the world of modern art in Japan. The range in date, subject, and size of these prints means that the Watanabe Collection of the Brauer Museum of Art provides excellent coverage of this key Creative Print master, increasing its value for his study.

  • Thumbnail for The Last Supper
    The Last Supper by Sadao Watanabe (1913-1996)

    Kappazuri or katazome dyed stencil print, 100/100, 25 x 29 inches. There are 57 examples of the stencil-prints (kappazuri) of Watanabe Sadao in the Brauer Museum of Art. Watanabe is, perhaps, the most famous Christian-Japanese print master to date. Frances Blakemore states that "Watanabe's works are in collections from South Africa to Australia, from the Philippines to Europe." (Who's who in Modern Japanese Prints, p. 228). 23 institutions list examples of his work in their collections, including the Museums of Modern Art of Tokyo and New York, the Honolulu Academy of Arts, the British Museum, and the Haifa Museum. Ten of Watanabe's prints are on permanent display in the Vatican Museum of Modern Art. Watanabe also has had shows of his prints in the US, Japan, Brussels, the Netherlands, China, Germany, Denmark, and Indonesia. His work was included into the exhibition of Japanese prints at the Winter Olympics in Sapporo in 1972. Watanabe has won the prizes of the Folk Art Museum, the Japanese Print Association, and other prestigious bodies. He is holder of the coveted prize of the Kokuga sosaku kyokai, the organization that holds the Arts in Spring-Kokuten Exhibition that is such an important event in the world of modern art in Japan. The range in date, subject, and size of these prints means that the Watanabe Collection of the Brauer Museum of Art provides excellent coverage of this key Creative Print master, increasing its value for his study.

  • Thumbnail for The Last Supper
    The Last Supper by Sadao Watanabe (1913-1996)

    Kappazuri or katazome dyed stencil print, 13 x 9 inches. Watanabe is, perhaps, the most famous Christian-Japanese print master to date. Frances Blakemore states that "Watanabe's works are in collections from South Africa to Australia, from the Philippines to Europe." (Who's who in Modern Japanese Prints, p. 228). 23 institutions list examples of his work in their collections, including the Museums of Modern Art of Tokyo and New York, the Honolulu Academy of Arts, the British Museum, and the Haifa Museum. Ten of Watanabe's prints are on permanent display in the Vatican Museum of Modern Art. Watanabe also has had shows of his prints in the US, Japan, Brussels, the Netherlands, China, Germany, Denmark, and Indonesia. His work was included into the exhibition of Japanese prints at the Winter Olympics in Sapporo in 1972. Watanabe has won the prizes of the Folk Art Museum, the Japanese Print Association, and other prestigious bodies. He is holder of the coveted prize of the Kokuga sosaku kyokai, the organization that holds the Arts in Spring-Kokuten Exhibition that is such an important event in the world of modern art in Japan. The range in date, subject, and size of these prints means that the Watanabe Collection of the Brauer Museum of Art provides excellent coverage of this key Creative Print master, increasing its value for his study.

  • Thumbnail for The Good Samaritan
    The Good Samaritan by Sadao Watanabe (1913-1996)

    Kappazuri or katazome dyed stencil print, 39/70, 26 x 22 3/4 inches. Watanabe is, perhaps, the most famous Christian-Japanese print master to date. Frances Blakemore states that "Watanabe's works are in collections from South Africa to Australia, from the Philippines to Europe." (Who's who in Modern Japanese Prints, p. 228). 23 institutions list examples of his work in their collections, including the Museums of Modern Art of Tokyo and New York, the Honolulu Academy of Arts, the British Museum, and the Haifa Museum. Ten of Watanabe's prints are on permanent display in the Vatican Museum of Modern Art. Watanabe also has had shows of his prints in the US, Japan, Brussels, the Netherlands, China, Germany, Denmark, and Indonesia. His work was included into the exhibition of Japanese prints at the Winter Olympics in Sapporo in 1972. Watanabe has won the prizes of the Folk Art Museum, the Japanese Print Association, and other prestigious bodies. He is holder of the coveted prize of the Kokuga sosaku kyokai, the organization that holds the Arts in Spring-Kokuten Exhibition that is such an important event in the world of modern art in Japan. The range in date, subject, and size of these prints means that the Watanabe Collection of the Brauer Museum of Art provides excellent coverage of this key Creative Print master, increasing its value for his study.