Strolling scholar accompanied by a servant carrying a qin. This unidentified artist states that he is using the model of Tang Yin (Tang Ziwei), a popular and very famous Ming dynasty calligrapher and painter. There is not way of knowing when the fan was done, but certainly by the late nineteenth-century the image of the scholar in his flowing robes with the servant carrying his qin was as anachronistic to most Chinese as it is to us. There certainly may have been a deep-seated yearning for such an idyllic world, given war, rebellion, and foreign intrusions, but such a life not to be had. The artist was trained in the conservative techniques for landscape and figure, and has not risen above his models.