Two scholars, one with a qin, seated on a riverbank with two large pines in the foreground. Ju-hsi Chou mentions Dejian in his essay on southern painters, and points out that he was a prominent landscape artist in Shanghai in the 1860s. Another source extends his period of activity through the late nineteenth-century. One other painting by Jin Dejian is mentioned in a recent catalog, unfortunately, not illustrated. It is interesting to compare this image to that found in the work by Lianxi, also in this collection. Both use the same visual conceit of the scholar in the landscape with his musical instrument. The artist in other works focuses on the figure, and the landscape seems somehow unimportant. In this fan, the great pine trees and the vista that opens up to the right dwarf the diminutive figures. The result is that the scene is both more contemplative and more suggestive of meaning.