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Fan painting - Wife Plum, Son Crane - detail of calligraphy

by Feng Ji (act. early 19th century)

Abstract

A scholar at the center leaning on the prunus tree that bends to the right, while another tree behind the first crosses back to the left. The rocks, vegetation and drapery are done with energy. This is one of the earlier artists in the group. He is recorded as living in the late Qianlong and Daoguang eras, and one other painting by him is dated 1827. He was known for calligraphy, landscapes, and figures, those of women in particular, as well as the genre of bird and flower. This is a very satisfactory painting, well composed with the scholar at center leaning on the prunus tree that bends to the right, while another tree behind the first crosses back to the left. The scholar's gaze turns toward the stork, a standard image suggesting a departed friend; the stork in turn looks at the scholar. The rocks, vegetation and drapery are done with energy and well-honed technique. The painting almost suggests the Kano school of Japan. The painting is actually titled by inscription by the artist.

Note

Materials may be used for educational, non-commercial purposes only. Acknowledgement to be given to the ASIANetwork-Luce Asian Art in the Undergraduate Curriculum Project and to the college from whose collection the work comes. The individual college retains copyright to the work.

Administrative Notes

Materials may be used for educational, non-commercial purposes only. Acknowledgement to be given to the ASIANetwork-Luce Asian Art in the Undergraduate Curriculum Project and to the college from whose collection the work comes. The individual college retains copyright to the work.

Copyright
Copyright restrictions apply.
Publisher
Washington and Lee University
PID
coccc:24944