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Bronze vessel

Abstract

In ancient Japan (prior to the Meiji era, 1868-1912), metalwork was solely for swords and Buddhist statues. During the Meiji era, a decree abolishing sword-wearing and the restoration of Shintoism, the original religion of Japan, as the national religion caused the making of metalwork to shift to objects for export and home consumption; the functions of objects and subject of decoration tended to be secular. This vase, designed with a style of Chinese bronze vessel, bears 8 different scenes on the entire body. There are four large panels, with subjects ranging from figurative to seascapes, on the main body of the vessel, and four small horizontal scenes, landscapes and seascapes are the subjects (possibly a display of the four seasons), on the bottom. The designs are done in relief. The borders of the panels are also ornamented with plant patterns, chrysanthemums and gingko tree leaves in particular common Japanese floral motif. A great deal of artistic appeal and distinctive styles are the trademark of Meiji metalwork.

Note

Materials may be used for educational, non-commercial purposes only. Acknowledgement to be given to the ASIANetwork-Luce Asian Art in the Undergraduate Curriculum Project and to the college from whose collection the work comes. The individual college retains copyright to the work.

Administrative Notes

Materials may be used for educational, non-commercial purposes only. Acknowledgement to be given to the ASIANetwork-Luce Asian Art in the Undergraduate Curriculum Project and to the college from whose collection the work comes. The individual college retains copyright to the work.

Copyright
Copyright restrictions apply.
Publisher
Luther College
PID
coccc:24253
Extent
1568 w x 2485 h, 300 ppi