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The Window, front view

by Kawanishi Hide

Abstract

In contrast to Kawanishi’s view of the industrial port of Kobe, this print represents the modern-looking traditional side of Japan, with starkly vertical and horizontal lines of shoji screens opened just enough to reveal a stone lantern and garden greenery. This work is a charming example of how sosaku hanga could emphasize the apparent paradox of the inherent modernity of traditional Japan.

Note

Materials may be used for educational, non-commercial purposes only. Acknowledgement to be given to the ASIANetwork-Luce Asian Art in the Undergraduate Curriculum Project and to the college from whose collection the work comes. The individual college retains copyright to the work.

Kawanishi is associated with the Sosaku hanga (creative printmaking) movement which flourished after the end of the Pacific War. Unlike the Shin-hanga artists, who sold their designs to publishers employing professional specialist woodblo

Administrative Notes

Materials may be used for educational, non-commercial purposes only. Acknowledgement to be given to the ASIANetwork-Luce Asian Art in the Undergraduate Curriculum Project and to the college from whose collection the work comes. The individual college retains copyright to the work.

Copyright
Copyright restrictions apply.
Publisher
Connecticut College
PID
coccc:24119